The record, then, of Melville’s escape from the Dolly, otherwise the Acushnet, the sojourn of his companion Toby and himself in the Typee Valley on the island of Nukuheva, Toby’s mysterious disappearance, and Melville’s own escape, is fully given in the succeeding pages; and rash indeed would he be who would enter into a descriptive contest with these inimitable pictures of aboriginal life in the ‘Happy Valley.’ So great an interest has always centred in the character of Toby, whose actual existence has been questioned, that I am glad to be able to declare him an authentic personage, by name Richard T. Greene. He was enabled to discover himself again to Mr. Melville through the publication of the present volume, and their acquaintance was renewed, lasting for quite a long period. I have seen his portrait,--a rare old daguerrotype,--and some of his letters to our author. One of his children was named for the latter, but Mr. Melville lost trace of him in recent years. With the author’s rescue from what Dr. T. M. Coan has styled his ‘anxious paradise,’ ‘Typee’ ends, and its sequel, ‘Omoo,’ begins. Here, again, it seems wisest to leave the remaining adventures in the South Seas to the reader’s own discovery, simply stating that, after a sojourn at the Society Islands, Melville shipped for Honolulu. There he remained for four months, employed as a clerk. He joined the crew of the American frigate United States, which reached Boston, stopping on the way at one of the Peruvian ports, in October of 1844. Once more was a narrative of his experiences to be preserved in ‘White Jacket; or, the World in a Man-of-War.’ Thus, of Melville’s four most important books, three, ‘Typee,’ ‘Omoo,’ and ‘White-Jacket,’ are directly auto biographical, and ‘Moby Dick’ is partially so; while the less important ‘Redburn’ is between the two classes in this respect. Melville’s other prose works, as will be shown, were, with some exceptions, unsuccessful efforts at creative romance.