Types of prehistoric Southwestern architectureFewkes, Jesse Walter
History
Types of prehistoric Southwestern architecture
Fewkes, Jesse Walter
Indian architecture -- North America; Pueblos
The mythology and ritual of the people in this area are more closely
related to Mexican than to northern or pueblo culture. This may be
illustrated by many examples, of which one instance may be taken.
One of the most marked peculiarities of the prehistoric culture in
this zone is the elaborate worship of a supernatural being called
the Horned Serpent.[1] The Horned Serpent cult was introduced into
Hopiland from the Gila and is associated with the sky-god, whose
symbol is the sun. Evidences of the widespread influence of this
cult in prehistoric times is shown by figures of this being found
on pottery all the way from Hopi to the Mexican plateau. Among the
Maya and Aztec, when Horned Snake worship was perhaps the most
complicated anywhere in pre-Columbian America, it was, as it is at
Hopi, intimately associated with sun-worship. The Horned and Plumed
Serpent figures adorn many prehistoric buildings of Mexico, and
occur in all the codices of the Maya. Here we have the symbol not
originally regarded as serpents. Kukulcan, or Quetzalcoatl, were but
beneficent beings who taught the ancients agriculture and other arts,
but whose benign presence was banished through the machinations of
a sorcerer. The striking similarities in the objective symbolism of
the Plumed Serpent of Mexican mythology and the Hopi Horned Serpent
have been shown elsewhere; the ceremonies in which his effigy is
used in the Hopi ritual are practically connected with sun-worship,
and were introduced from the south. Wherever the influence of the
architectural type above considered is detected we find evidences of
Horned Serpent cult.
The most important rite at Walpi in which idols of this being are
used occurs at the winter solstice and the vernal equinox, and are
always connected with a highly developed sun-worship. These appear
as effigies, which in one ceremonial drama are carried by a being
personating the sun; in other dramatic rites they are thrust through
openings in a screen on which sun emblems are painted. An idol of the
Horned Serpent, made of the giant cactus, a plant abundant in the
Gila valley, is carried by the chief of the Sun priests’ ceremony
celebrated in midwinter. Numerous other examples of the association
of the sun and the Horned Serpent in the solar worship of the Hopi
have been elsewhere described and might be mentioned to prove that
the religious conception back of the Horned Serpent cult is the
symbolical representation of a nature power of the sky or the sun.
The conception typified by the Horned Snake cult of the Hopi and that
of the Plumed Snake of Mexico is the same; that symbols of this being
occur on prehistoric objects found in the region stretching from the
Hopi country far into Central America cannot be questioned. Whether
one was derived from the other or both were independently evolved is
another question.
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