Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
One day the pupils of the college went out to the yard to play
baseball. It happened that one of the boys who was watching the game
was hurt at the kneejoint, and fell down on the ground. The boy
cried so loud that the rector at once went hurriedly to see what was
happening in the yard. He saw the boy sitting on the ground with one
of his legs bent. He approached him, and said, "What has happened to
you, my boy?" And the boy feeling yet the pain that the ball had caused
him, answered, "Father, while I was watching my companions who were
playing baseball my--, my--," "What?" said the rector, impatiently.
"Father, my--, my--," answered the boy, showing his kneejoint as
he was pronouncing the word "my." "Do you mean your leg?" said the
rector. "No, father I mean my--," replied the boy. "But your what"
cried the rector, "say what you mean to say." The boy, who was trying
hard to find the word in Spanish for kneejoint, answered at last, "my
_vino-vinohan_, father, was hurt." The rector, though very angry at
the boy's dullness, laughed heartily at his dictionary-making powers.
NOTE--The word in Tagalog for knee-joint is "alak-alakan," which
is similar to the Tagalog word "alak," meaning wine in English and
_vino_ in Spanish. The boy, not knowing the proper word in Spanish
for knee-joint, derived the word "vino-vinohan" from the Spanish word
_vino_, which means _alak_ (wine) in Tagalog.
=Mr. Taft's Mistake=
It was a bright day when a crowd of people stood before a platform
decorated with palm leaves and roofed with a banner of stars and
stripes. The eyes of the spectators, who were all eager to hear the
speech of the well-known eloquent orator and skillful politician, Mr.
William H. Taft, were fixed on the personages on the platform.
At last, after an ovation by the multitude, Mr. Taft rose up and
addressed the audience thus: "_Señoras y caballos_."[8]
--Amando Clemente.
III. The Eye-Witness Account
Eye-witness account is to true story what realism is to fiction.
Exactness is the aim of the narrator. He endeavors to tell precisely
what he saw and heard. A great deal of our newspaper "copy" is supposed
to be of this type, and likewise much court testimony. The attorneys
try to separate distinctly fact from fancy. What a man really must have
seen and what he thought he saw are often very different. It appears
at first that an unembellished account would be the easiest thing in
the world to give, but it takes only a little observation to convince
one that few persons can tell what they see or hear; few indeed know
what they see or hear. With the bare actuality, they are constantly
confounding what they thought or inferred. As a rule, only the man
educated to the work can report truthfully.
Public-domain text, read in full here on John Shaqi.
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