Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
A unique and curious ancient document of this type is found in a
little book that was published by the Spanish Academy of History
in 1783, called "El Passo Honroso" or the Passage of Honor. It is
a formal eyewitness account prepared on the spot by Delena, one of
the authorized scribes of John II, and gives minutely the events of
a passage of arms held against all comers in 1434 at the bridge of
Orbigo, near the city of Leon, during thirty days, at a moment when the
road was thronged with knights going over for a solemn festival to the
neighboring shrine of Santiago.[9] Suero de Quiñones, the challenger,
was a true gentleman of chivalry, it seems, and had been wearing in
sentimental bondage to a noble lady a chain of iron around his neck one
day in each week. From his bondage he could be freed only by bringing
to her as ransom a minimum number of real spears broken by him and his
friends in fair fight. So they stood--ten of them--for thirty days
challenging all comers. Delena records sixty-eight opponents; six
hundred and twenty-seven encounters; sixty-six broken lances; one dead
knight; and many wounded, among whom were Quiñones himself and eight
of his fellow-champions. Along with the general narrative is a full
account of the religious and chivalric ceremonies as they were actually
indulged in from day to day. Such a minute and elaborate and fully
authenticated eye-witness record of not fictitious but real "knightly
guists and fierce encounters" is manifestly invaluable to a student of
chivalry.
It is interesting to think of this dapper young scribe sitting on the
side-lines watching the combatants and taking down his notes as the
telling rushes were made by either party; and then sending his copy hot
from the pen to his royal reader. I suppose we might well call Señor
Delena the historical prototype of our modern athletics reporter.
Many of our best literary men have had longer or shorter
apprenticeships at getting "copy." Dickens served for a number of
years. Facts for a reporter do not come at call; he can not turn
them on, so to speak, nor is he permitted to make them up. He must
find them. Consequently to be successful he needs to have an ear for
news, and an eye for the graphic, a simple but full vocabulary, and a
pen made supple by much practice. He must seem to be at home in any
department of human action. All his words must carry with them a large
tone of veracity. He can hardly afford to make slips even on his minor
details, since his brother reporters visit the same scene at the same
time.
Public-domain text, read in full here on John Shaqi.
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