Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
"From Ghoulies and Ghoosties, long-leggetty Beasties, and Things that
go Bump in the Night, Good Lord, deliver us!" the quaint old litany
pleads, and is probably better representative of the attitude of
primitive peoples toward the extraordinary personages of the sub-world
than is our more modern and debonair view. We have come to look upon a
fairy story as a mental holiday, to enjoy which the narrator and the
listener are off on a picnic. But not so do the unsophisticated folk
think of the events. The grown-up primitive man believes more seriously
in the tricks of goblins and sprites than do our most credulous modern
children. To him, the good or malicious influence of the nunu or
ticbalan is not a fiction, but a reality that must be reckoned with.
Luckily he can reckon with it; for even in the earlier folk tales the
fairies are not generally immortal, and they do not have unlimited
power.
[Fundamental characteristics of fairies]
One chief characteristic that distinguishes these extra-natural beings
from the gods is that the extra-natural are for the most part small and
belong to the under-world. They are not so much superhuman as other
than human. They may be checked or outwitted or even finally overcome.
They have power to tease a man, though not the power utterly to destroy
him. A pixy may cast a spell, but not forever. Jack-o-lantern, or
Will-o-the-wisp, may lead astray into a bog and may hope that his
victim be not a good wader, but the trick and the malicious wish are
the extent of the evil. The victim usually in the end escapes. If he
perishes, he has forgotten his charms or neglects to say his prayers.
There is a somewhat well-fixed literary atmosphere for English fairy
stories and allusions. As we have said, they must have about them the
air of holiday. The English elfin people are a merry folk from the
dainty queen to the clumsiest boggart, and enjoy a bit of fun even at
their own expense,--though, to tell the truth, the joke is usually the
other way.
If you wish to write an original narrative about these charming
creatures, the best way to prepare is to get acquainted with them.
No doubt you know where some of them live. Perhaps only this morning
you chanced upon a forgotten hammock left swinging between two stout
little sprigs of grass where a fairy had slept, or maybe last night
you clearly heard the tinkle of pranckling feet and were too lazy
or indifferent to go to the window to catch a glimpse of a wondrous
sight. I pray you, if you have the chance again, join the masquerade,
remembering only that if Oberon asks you why you are there, you must
speak out frankly. His promise is
"We fairies never injure men
Who dare to tell us true."
Oh, yes, one more thing to remember! Leave before cock-crow if you
expect to bring your wits with you.
Public-domain text, read in full here on John Shaqi.
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