From Schwaz to Zirl,[26] beyond Innsbruck, is between twenty-nine and thirty miles, either by train or road. The latter is quite good for cycling, and those who are not cyclists or pedestrians will find to make the journey by carriage a delightful way of reaching the picturesque little village from which the ascent of the Gross Solstein may be made, and that also of the more romantic and famous Martinswand. The village is, unlike many of those lying in the Unter-Innthal, east of Innsbruck, an agricultural one, with most of the houses built in straight rows, and having quaint and picturesque, but not very clean or salubrious, courtyards in the rear. Some of the most charming groups of peasants, ox-carts, and "farm scenes" are to be found at Zirl, which is a good deal visited by artists, and invites the attention of amateur photographers. In most cases the houses have their dwelling-rooms and sleeping accommodation on the first floor, which is reached by flights of steps, and the exteriors of the dwellings are made picturesque and quaint by the projecting gables of carved wood, and the galleries which jut out beneath them, where the corn, herbs, and other produce is either laid out or hung up to dry. As in other villages of the Inn Thal, one sees the love of colour in the delicate pink, blue (almost a lavender), and green tints of the stucco-work on the house-fronts and walls. Zirl is a picture-village, too, and on the houses, as one drives or walks through the narrow streets, one catches glimpses of paintings of Virgins, saints engaged in vigorous and deadly combats with evil-looking monsters of the dragon tribe, and here and there, set in a niche in the wall, a tiny figure of a Madonna, saint, or crucifix protected with glass, and often surrounded with a chaplet or bunches of withered flowers. One of the Inns, named "the Regenbogen," has a most vivid and even startling representation of a rainbow (which gives it its name) painted over the arched doorway. The church of Zirl is chiefly interesting from the frescoes it contains, which are the work of Schöpf. The churchyard is a spot in which to linger. It is instinct with the pathos which comes in a measure from partial neglect, and picturesqueness of environment. One of the little town's chief attractions to the antiquarian and the student of ancient and curious things will undoubtedly be the Calvarienberg, which lies a little to the north; green and beautiful, and crowned by a picturesque pilgrimage church. The ascent is comparatively easy, and well repays one for the climb, not only on account of the interest of the "Calvary," to form which the natural rocks have been adapted, but by reason of the delightful views which are obtainable from the plateau.