Ukrainian literature : $b Studies of the leading authorsManning, Clarence Augustus
History
Ukrainian literature : $b Studies of the leading authors
Manning, Clarence Augustus
Ukrainian literature -- History and criticism
He suffered from discouragement but long before his death men of all
parties recognized that he was the chief teacher, poet, and novelist
of the province. They realized his incorruptible character, his
wide knowledge and his literary talent. He was not the peer of the
incomparable Shevchenko but next to him he stood out as the most
important talent in Ukrainian literature, the greatest scholar, and the
one man who could see the problems of his people and the path on which
they should go. His enormous funeral bore token to the esteem in which
he was held and to the work which he had done during the unremitting
years of journalism. Franko worked hard. His life was uneventful. It
was not filled with surprising and unusual episodes but as scholar,
critic, poet, novelist and teacher he deserved well of Ukraine and was
the glory of the Shevchenko Scientific Society.
CHAPTER ELEVEN
LESYA UKRAINKA
The age of realism gradually gave way to neo-romanticism. After a
period of time in which literature was bound within the strict limits
of a photographic reproduction of nature and of social life, the
authors gradually came to demand the liberty of expressing their
thoughts in their own way and of choosing such subjects as they
desired. There came a renewed emphasis on poetry and a higher technical
skill in its production. New devices in metrics and in rhythm were
introduced and there appeared authors with the proper talents to master
the new devices.
Nowhere was this more true than in Russia. The eighties had been a
time of discouragement to the Russian intelligentsia but toward the
middle of that decade, some of the writers against the opposition of
most of the liberal elements demanded for themselves the same liberties
that were being claimed in other countries. There came a broadening of
themes and an endeavor to get outside the narrow range of contemporary
subjects that had preoccupied the literature for forty years.
The same influences were working on Ukrainian literature, although the
authors who had never bowed the knee to that peculiar type of Russian
liberalism which had discounted the Ukrainian right to exist did not
have to pass through all the phases of pessimism that their conquerors
did. Besides that, the influence of men like Franko and contact with
the Ukrainian renaissance in Galicia had to some extent opened direct
channels to western Europe which were lacking in St. Petersburg.
Public-domain text, read in full here on John Shaqi.
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