"Oh, Tei, why did you speak of that? I had put that unworthy memory away
in a dark place with all my other bad deeds and was never going to think
of it again."
"Just as we put away the dolls in the godown after the Dolls' Festival
is over, Umé?"
Umé laughed. "I had not thought of that, but it is so," she said.
All the time the two little girls were talking they were busily
preparing breakfasts for their dolls. They had five or six small trays
and on each one they placed chopsticks and bowls, and cups about as big
as thimbles.
The room in which they were playing was the honorable guest room, the
best one in the Utsuki house. On one side of the room was a sight to
make any little girl jump for joy. As many as five long shelves had been
placed along the wall, arranged one above another like steps, and more
than one hundred dolls were grouped on the shelves.
"Here are dolls of all honorable sizes! Ten sen for each, and all
honorable prices!" chanted Umé, just as she had heard the toy-peddler
cry.
There were indeed dolls of all sizes and kinds. There were big dolls and
little dolls, boy dolls and girl dolls. Some were over a hundred years
old, and others looked quite new.
On the top shelf stood five emperors with their empresses, and on the
lowest shelf, among the toys, Haru was standing beside a new doll which
Umé's mother had given her for this Dolls' Festival.
This festival, on the third day of the third month, is the most
important one of the whole year to little Japanese girls. For nearly a
week Umé and her mother had been busy preparing for this festival. They
had set the shelves in place, covered them with gorgeous red cotton
crêpe, and had then brought boxes and boxes and bags and bags of dolls
and toys from the godown.
The godown is the fireproof building which may be seen in almost every
Japanese garden. It is built of brick or stone, usually painted white,
and has a black tiled roof and a heavy door which is always shut and
locked. If the family is a very wealthy one, with a great many
treasures, the godown must be large; if there are but few treasures the
building may be smaller.
It is quite necessary to have some such place, which cannot easily be
destroyed, because Japan is so often visited by earthquakes, and in the
cities there are often terrible fires. Perhaps this explains why the
Japanese have so little furniture and so few ornaments in their houses.
"I hope that there will not be a fire or an earthquake while the dolls
are in the house," said Umé, standing off to see if there were a pair of
chopsticks on each tray.
"How many dolls are there on the shelves?" asked Tei.
"I don't know," answered Umé. "There are all of mine and my mother's and
my mother's mother's. And again there are some of her mother's mother's.
And besides that there are some of her mother's mother's, and so on, and
so on,--to the time of Confucius."
Public-domain text, read in full here on John Shaqi.
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