Lift up the square of matting in the middle of a Japanese living-room
and you will find, sunk in the floor, a stone-lined bowl a few inches
deep. This is the fireplace. When the day is cold the maid puts a
shovelful of live coals into this bowl, places a wooden frame about a
foot high over it, and covers all with a quilt. Then the cold ones may
sit around the fire on the floor, draw the quilt over their knees and
into their laps, and soon become perfectly warm.
Tara and Umé had heard many a delightful story as they sat snuggled
under the warm quilt on winter evenings.
On this evening their father said suddenly, "The white snow-flakes will
fall to-night and cover the earth as the white plum blossoms cover the
trees."
Tara sprang from under the quilt and ran to open the shutters so that he
might see for himself how the weather looked outside.
He was so eager that his fingers slipped and pushed a hole through the
paper covering of the shoji. His mother looked sadly at the torn place.
"It was only this morning," she said, "that I put new papers on the
shoji to be in readiness for the New Year. Baby Yuki's fingers had made
many holes in the paper walls."
In a moment Tara ran back into the warm room. "It is faithfully true,"'
he cried. "Even now white flakes are falling."
In the morning it was as if they had moved to a different world. The
snow made the garden, with its trees and pond and bridge, look like
fairyland.
"I will go to the garden-house for my stilts," said Tara, "then I can
walk about in the snow on my heron-legs as the white herons walk in the
mud of the rice-fields."
Stilts are made of bamboo sticks, and are called "heron-legs," after the
long-legged snowy herons that strut about in the wet fields. Wooden
clogs will lift their wearers out of the mud of the streets in bad
weather; but the boys are always glad of an excuse to get out their
stilts. They walk on them so much that they become expert in their use
and can run and even play games on them.
Umé looked rather sadly at the new white world outside.
"The snow has come too soon," she said.
"Why?" asked Tara.
"Because I have no time for play," answered Umé. "There are gifts to
finish, and I must also help the honorable mother to make all clean and
sweet for the New Year."
"Let the gifts honorably wait until the hour of the horse," said Tara,
"so that you may play with us this morning in the garden."
But Umé went dutifully to her sewing. She was making a bundle
handkerchief for Tei out of a piece of bright colored crêpe with her
family crest embroidered on it.
After that was finished she made a lucky-bag to hang on the New Year's
arch at the house door.
The lucky-bag was made of a square of Japanese paper. Into it Umé put
several things which are known to bring good luck--a few chestnuts, a
bit of dried fish, and a dried plum. She tied them up in the paper with
a red and white paper string, and put the bag away until the arch should
be ready.
Public-domain text, read in full here on John Shaqi.
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