Umé looked back as the old nurse continued, "When autumn winds blow the
leaves from the other trees and leave them sad and cheerless, the pine
holds its needles more green and vigorous than ever. We should be like
the pine, brave to conquer our troubles when they come."
Umé tried to smile. "I will be obediently brave," she said.
Old Maru nodded approvingly. "As the pine stands for strength and the
bamboo for uprightness, so the fern means hope and the seaweed good
fortune."
Umé began to be a little cheerful. "I dreamed of Fujiyama, the sacred,
in the night," she said, "that means great happiness."
"Yes," said old Maru comfortably, "everything points to good fortune
this morning. Let us hope that the merciful goddess will be gracious to
grant our prayer."
The sound of the temple bells still filled the air. Everywhere the
streets and houses were decorated with paper lanterns and flags and
banners, each one white with a round red sun. The lanterns were strung
in rows across the streets and on the houses from the low eaves to the
veranda posts. At the temple they hung at every possible point from roof
to steps.
Umé and Maru went reverently through all the ceremony of washing the
hands and mouth, ringing the bell, dropping the offering of coins in the
box and buying the rice-cakes. They left their clogs at the entrance
among several other pairs, for many sad hearts had come to the temple
with petitions on this early morning of the New Year.
When Umé left the temple the pretty red shoes were lying at the feet of
the Goddess Kwannon, and the child's face looked full of hope.
As they sat in the jinrikisha old Maru said, "One can never do too much
for the honorable mother." Then she added proudly, "No other nation in
the world can show such examples of filial love as Japan."
"What do you mean?" asked Umé, who could listen to a story now that her
heart was lightened of its fear.
"I mean the example of the four and twenty paragons," replied the nurse.
"The gods never gave me a son. If they had I should have prayed that he
might be like the paragon who, when he himself was very old, became a
baby so that his parents might not realize how old they had grown."
"But I thought we Japanese liked to become very old," said Umé, puzzled.
"I always say 'Ohayo, old woman,' to the batter-cake woman at the
corner, and she is gratefully pleased."
"That is true. But the paragon showed his filial affection by acting as
a baby," persisted old Maru. "It was a noble thing to do."
"How many paragons were there?" asked Umé.
"Four and twenty," replied the old woman.
"Was one of them a little girl, and did she give up her red shoes?"
asked Umé.
Old Maru looked doubtful. "It was a long time ago," she said. "I think
no red shoes had been made in the world at that time."
But Umé was again thinking of her mother. "Tell the jinrikisha-man to
go faster," she urged.
Public-domain text, read in full here on John Shaqi.
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