Una of the hill country: 1911Craddock, Charles Egbert
General
Una of the hill country: 1911
Craddock, Charles Egbert
Mountain life -- Fiction; Short stories; Tennessee -- Social life and customs -- Fiction
Brent retorted with obvious acrimony. “I don't see no 'casion ter doubt
the goodness o' God--I never war so ongrateful nohow as that comes to.”
He resented being thus publicly reproached, as if he were individually
responsible for the iniquity of the bran dance--the scape-goat for the
sins of all this merry company. Many of the whilom dancers had pressed
forward, crowding up behind the old mountaineer and facing the flushed
Brent and the flowerlike Valeria, the faint green leaves of her muslin
dress fluttering about her as her skirts swayed in the wind.
“Ye ain't so powerful afeard of the devil _now_ ez ye uster was on the
mourner's bench,” the old man argued.
“I never war so mighty afeard of the devil,” the goaded Brent broke
forth angrily, for the crowd was laughing in great relish of his
predicament--they, who had shared all the enormity of “shaking a foot”
on this festive day. Brent flinched from the obvious injustice of their
ridicule. He felt an eager impulse for reprisal. “I know ez sech dancin'
ez I hev done ain't no sin,” he blustered. “I ain't afeared o' the devil
fur sech ez that. I wouldn't be skeered a mite ef he war ter--ter--ter
speak right out now agin it, an' I'll be bound ez all o' you uns would.
I--I--look yander--_look!_”
He had thrown himself into a posture of amazed intentness and was
pointing upward at the overhanging boughs of a tree above their heads.
A squirrel was poised thereon, gazing down motionless. Then, suddenly--a
frightful thing happened. The creature seemed to speak. A strange
falsetto voice, such as might befit so eerie a chance, sounded on
the air--loud, distinct, heard far up the slope, and electrifying the
assemblage near at hand that was gathering about the stand and awaiting
the political candidates.
“Quit yer foolin'--quit yer fooling” the strange voice iterated. “I'll
larn ye ter be afeared o' the devil. Long legs now is special grace.”
So wild a cry broke from the startled group below the tree that the
squirrel, with a sudden, alert, about-face movement, turned and swiftly
ran along the bough and up the bole. It paused once and looked back
to cry out again in distinct iteration, “Quit yer foolin'! Quit yer
foolin'!”
But none had stayed to listen. A general frantic rout ensued. The
possibility of ventriloquism was unknown to their limited experience.
All had heard the voice and those who had distinguished the words and
their seeming source needed no argument. In either case the result was
the same. Within ten minutes the grounds of the famous barbecue and bran
dance were deserted. The cumbrous wagons, all too slow, were wending
with such speed as their drivers could coerce the ox-teams to make along
the woodland road homeward, while happier wights on horseback galloped
past, leaving clouds of dust in the rear and a grewsome premonition of
being hindmost in a flight that to the simple minds of the mountaineers
had a pursuer of direful reality.
Public-domain text, read in full here on John Shaqi.
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