Unawares: A Story of an Old French TownPeard, Frances Mary
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Unawares: A Story of an Old French Town
Peard, Frances Mary
France -- Fiction
No one ever entirely realises how much his life is moulded by what we
call trifles. We do not want a lion in our path to turn us, a straw
will do it as effectually. It is only an indifferent word occasionally
that opens the floodgates and lets the torrent in. A look affects a
life; perhaps such insignificant instruments are chosen to keep us
humble. Looking back, when we have gone further on our journey, we
dimly understand it, but at the time the influences seem too small to be
admitted. Yet it is the teaching of all creation, whether physical or
spiritual. In the drop of water, in the blade of grass, in the moment
of time, in the thought of our heart, God teaches us the immensity of
little things.
CHAPTER SEVEN.
"Experience, like a pale musician, holds
A dulcimer of patience in his hands."
E.B. Browning.
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Max Deshoulieres did not smile any more after he went away from Madame
Lemaire, but he never forgot her little speech. It seemed to set all
sorts of unknown strings vibrating, the words kept echoing back from his
heart; things that had nothing to do with his life, as he fancied,
floated up before him: children's faces like angels', the touch of tiny
hands, sweet womanly voices, wistful grey eyes, all these strange
uncalled-for visions haunted him; he could not have driven them away if
he had wished it. If he had been an idle man, with time to spend in
dreaming, he might have understood their meaning sooner; as it was, he
wondered a little, and then flung himself heart and soul into a battle
with some grim disease in a squalid room where there was the dirt
without the picturesqueness of Charville. Almost unconsciously this
man's life had been one noble self-sacrifice. He seemed to use his
great strength of will in setting aside all selfish aims. He worked
with a single-mindedness out of which had grown a strange simplicity and
tenderness. Therese, with all her hopefulness, had not his strong
faith. If he had been more accustomed to make pictures, in which he
formed a central figure, Madame Lemaire's words might not have stirred
him as they did. A hand had swept the strings, would the tones it set
vibrating grow and swell into grand, beautiful chords of sweet harmony,
or die away in a sad, sorrowful wail?
Public-domain text, read in full here on John Shaqi.
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