Unawares: A Story of an Old French TownPeard, Frances Mary
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Unawares: A Story of an Old French Town
Peard, Frances Mary
France -- Fiction
Months passed. Charville had its own events to talk about. Madame, the
wife of the Prefet, died, there was a change of regiments, a fresh
company took the theatre. These were the topics about which people
spoke, keeping their own little subjects of interest under the surface,
as people do.
Therese, who had no one with whom to converse after this fashion, became
in time grateful for the hard work which took her thoughts out of the
groove along which they travelled incessantly. It seemed as if the key
had been put into her hands which opens the treasure-house of life.
Before this she had been groping with the wrong instrument. The key
lies before us all, only we are so dull and so blind that unless
something forces it upon us we often take no notice, or merely play with
it. Not our own, but another's. When we have learned that lesson, the
treasure doors fly open.
There had been no news of Fabien, and she was often very sad, very
desponding, but never with such a sense of dreariness as before. There
seemed something to live for besides that bright hope of happiness which
used almost to mock her by its very brilliancy. Her buoyancy came back;
she could sing over her work, laugh sometimes at madame's tyranny.
Above all, the teaching lost some of its horrors. Octavie was as
disagreeable as ever, but Adolphe was more teachable, more affectionate;
Therese began to feel a little fond of him at the bottom of her heart.
She used to tell him stories about her life in Rouen, or legends of the
Brittany which was her mother's province. Adolphe was an insatiable
listener. "Encore, encore," he would cry peremptorily, and then Therese
had to begin all over again. Occasionally he would reward her with a
story of his own. "Ecoute toi," was always the beginning, and then
perhaps, "il y avait un geant." But the giant never accomplished much
beyond the mere fact of existence.
Public-domain text, read in full here on John Shaqi.
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