She was going along the arcades of the rue de Rivoli. Ahead of her she
could see the edge of an immense grey pillar jutting out. That was the
porch of the Hotel Saint Pierre. The revolving glass doors swung forward
to receive her; she crossed the grey, sultry vestibule under the
pillared arches. She knew it. She knew the porter’s shining,
wine-coloured mahogany pen on her left, and the shining wine-coloured
mahogany barrier of the clerk’s bureau on her right; she made straight
for the great grey carpeted staircase; she climbed the endless flights
that turned round and round the caged-in shaft of the well, past the
latticed doors of the lift, and came up on to a landing that she knew,
and into the long, ash-grey, foreign corridor lit by a dull window at
one end.
It was there that the horror of the place came on her. She had no longer
any memory of St. Mary’s Church, so that she was unaware of her backward
course through time. All space and time were here.
She remembered she had to go to the left, the left. But there was
something there; where the corridor turned by the window; at the end of
all the corridors. If she went the other way she would escape it.
The corridor stopped there. A blank wall. She was driven back past the
stairhead to the left.
At the corner, by the window, she turned down another long ash-grey
corridor on her right, and to the right again where the night-light
sputtered on the table-flap at the turn.
This third corridor was dark and secret and depraved. She knew the
soiled walls and the warped door at the end. There was a sharp-pointed
streak of light at the top. She could see the number on it now, 107.
Something had happened there. If she went in it would happen again.
Oscar Wade was in the room waiting for her behind the closed door. She
felt him moving about in there. She leaned forward, her ear to the key
hole, and listened. She could hear the measured, deliberate, thoughtful
footsteps. They were coming from the bed to the door.
She turned and ran; her knees gave way under her; she sank and ran on,
down the long grey corridors and the stairs, quick and blind, a hunted
beast seeking for cover, hearing his feet coming after her.
The revolving doors caught her and pushed her out into the street.
* * * * *
The strange quality of her state was this, that it had no time. She
remembered dimly that there had once been a thing called time; but she
had forgotten altogether what it was like. She was aware of things
happening and about to happen; she fixed them by the place they
occupied, and measured their duration by the space she went through.
So now she thought: If I could only go back and get to the place where
it hadn’t happened.
To get back farther—
She was walking now on a white road that went between broad grass
borders. To the right and left were the long raking lines of the hills,
curve after curve, shimmering in a thin mist.
Public-domain text, read in full here on John Shaqi.
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