“We haven’t. We’ve got to begin again. And go on. And go on.”
“Oh, no. No. Anything but that.”
“There isn’t anything else.”
“We can’t. We can’t. Don’t you remember how it bored us?”
“Remember? Do you suppose I’d touch you if I could help it?... That’s
what we’re here for. We must. We must.”
“No. No. I shall get away—now.”
She turned to the door to open it.
“You can’t,” he said. “The door’s locked.”
“Oscar—what did you do that for?”
“We always did it. Don’t you remember?”
She turned to the door again and shook it; she beat on it with her
hands.
“It’s no use, Harriott. If you got out now you’d only have to come back
again. You might stave it off for an hour or so, but what’s that in an
immortality?”
“Immortality?”
“That’s what we’re in for.”
“Time enough to talk about immortality when we’re dead.... Ah—”
[Illustration: ... moving slowly, like figures in some monstrous and
appalling dance ...]
They were being drawn towards each other across the room, moving slowly,
like figures in some monstrous and appalling dance, their heads thrown
back over their shoulders, their faces turned from the horrible
approach. Their arms rose slowly, heavy with intolerable reluctance;
they stretched them out towards each other, aching, as if they held up
an overpowering weight. Their feet dragged and were drawn.
Suddenly her knees sank under her; she shut her eyes; all her being went
down before him in darkness and terror.
* * * * *
It was over. She had got away, she was going back, back, to the green
drive of the Park, between the beech trees, where Oscar had never been,
where he would never find her. When she passed through the south gate
her memory became suddenly young and clean. She forgot the rue de Rivoli
and the Hotel Saint Pierre; she forgot Schnebler’s Restaurant and the
room at the top of the stairs. She was back in her youth. She was
Harriott Leigh going to wait for Stephen Philpotts in the pavilion
opposite the west gate. She could feel herself, a slender figure moving
fast over the grass between the lines of the great beech trees. The
freshness of her youth was upon her.
She came to the heart of the drive where it branched right and left in
the form of a cross. At the end of the right arm the white Greek temple,
with its pediment and pillars, gleamed against the wood.
She was sitting on their seat at the back of the pavilion, watching the
side door that Stephen would come in by.
The door was pushed open; he came towards her, light and young, skimming
between the beech trees with his eager, tiptoeing stride. She rose up to
meet him. She gave a cry.
“Stephen!”
It had been Stephen. She had seen him coming. But the man who stood
before her between the pillars of the pavilion was Oscar Wade.
Public-domain text, read in full here on John Shaqi.
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