He came as he had come a dozen times, with his measured, deliberate,
thoughtful tread, carrying himself well braced, with a sort of held-in
arrogance, his great shoulders heaving. He was a man of about forty,
broad and tall, lean-flanked and short-necked, his straight, handsome
features showing small and even in the big square face and in the flush
that swamped it. The close-clipped, reddish-brown moustache bristled
forwards from the pushed-out upper lip. His small, flat eyes shone,
reddish-brown, eager and animal.
She liked to think of him when he was not there, but always at the first
sight of him she felt a slight shock. Physically, he was very far from
her admired ideal. So different from George Waring and Stephen
Philpotts.
He sat down, facing her.
There was an embarrassed silence, broken by Oscar Wade.
“Well, Harriott, you said I could come.” He seemed to be throwing the
responsibility on her.
“So I suppose you’ve forgiven me,” he said.
“Oh, yes, Oscar, I’ve forgiven you.”
He said she’d better show it by coming to dine with him somewhere that
evening.
She could give no reason to herself for going. She simply went.
He took her to a restaurant in Soho. Oscar Wade dined well, even
extravagantly, giving each dish its importance. She liked his
extravagance. He had none of the mean virtues.
It was over. His flushed, embarrassed silence told her what he was
thinking. But when he had seen her home he left her at her garden gate.
He had thought better of it.
She was not sure whether she were glad or sorry. She had had her moment
of righteous exaltation and she had enjoyed it. But there was no joy in
the weeks that followed it. She had given up Oscar Wade because she
didn’t want him very much; and now she wanted him furiously, perversely,
because she had given him up. Though he had no resemblance to her ideal,
she couldn’t live without him.
She dined with him again and again, till she knew Schnebler’s Restaurant
by heart, the white panelled walls picked out with gold; the white
pillars, and the curling gold fronds of their capitals; the Turkey
carpets, blue and crimson, soft under her feet; the thick crimson velvet
cushions, that clung to her skirts; the glitter of silver and glass on
the innumerable white circles of the tables. And the faces of the
diners, red, white, pink, brown, grey and sallow, distorted and excited;
the curled mouths that twisted as they ate; the convoluted electric
bulbs pointing, pointing down at them, under the red, crinkled shades.
All shimmering in a thick air that the red light stained as wine stains
water.
And Oscar’s face, flushed with his dinner. Always, when he leaned back
from the table and brooded in silence she knew what he was thinking. His
heavy eyelids would lift; she would find his eyes fixed on hers,
wondering, considering.
Public-domain text, read in full here on John Shaqi.
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