Still, in the first moment of shock Harriott told herself that Oscar
dead would be nearer to her than ever. She forgot how little she had
wanted him to be near her, alive. And long before the twenty years had
passed she had contrived to persuade herself that he had never been near
to her at all. It was incredible that she had ever known such a person
as Oscar Wade. As for their affair, she couldn’t think of Harriott Leigh
as the sort of woman to whom such a thing could happen. Schnebler’s and
the Hotel Saint Pierre ceased to figure among prominent images of her
past. Her memories, if she had allowed herself to remember, would have
clashed disagreeably with the reputation for sanctity which she had now
acquired.
For Harriott at fifty-two was the friend and helper of the Reverend
Clement Farmer, Vicar of St. Mary the Virgin’s, Maida Vale. She worked
as a deaconess in his parish, wearing the uniform of a deaconess, the
semi-religious gown, the cloak, the bonnet and veil, the cross and
rosary, the holy smile. She was also secretary to the Maida Vale and
Kilburn Home for Fallen Girls.
Her moments of excitement came when Clement Farmer, the lean, austere
likeness of Stephen Philpotts, in his cassock and lace-bordered
surplice, issued from the vestry, when he mounted the pulpit, when he
stood before the altar rails and lifted up his arms in the Benediction;
her moments of ecstasy when she received the Sacrament from his hands.
And she had moments of calm happiness when his study door closed on
their communion. All these moments were saturated with a solemn
holiness.
And they were insignificant compared with the moment of her dying.
She lay dozing in her white bed under the black crucifix with the ivory
Christ. The basins and medicine bottles had been cleared from the table
by her pillow; it was spread for the last rites. The priest moved
quietly about the room, arranging the candles, the Prayer Book and the
Holy Sacrament. Then he drew a chair to her bedside and watched with
her, waiting for her to come up out of her doze.
She woke suddenly. Her eyes were fixed upon him. She had a flash of
lucidity. She was dying, and her dying made her supremely important to
Clement Farmer.
“Are you ready?” he asked.
“Not yet. I think I’m afraid. Make me not afraid.”
He rose and lit the two candles on the altar. He took down the crucifix
from the wall and stood it against the foot-rail of the bed.
She sighed. That was not what she had wanted.
“You will not be afraid now,” he said.
“I’m not afraid of the hereafter. I suppose you get used to it. Only it
may be terrible just at first.”
“Our first state will depend very much on what we are thinking of at our
last hour.”
“There’ll be my—confession,” she said.
“And after it you will receive the Sacrament. Then you will have your
mind fixed firmly upon God and your Redeemer.... Do you feel able to
make your confession now, Sister? Everything is ready.”
Public-domain text, read in full here on John Shaqi.
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