In looking back it always seems to me as though I came to a fresh
landmark in my experience that November afternoon when I saw Uncle Max
standing in the twilight, waiting for me.
There had been the waste of a great trouble in my young life,--sorrow,
confusion, then utter chaos. I had struggled on somehow after my twin
brother's death, trying to fight against despair with all my youthful
vitality; creating new duties for myself, throwing out fresh feelers
everywhere; now and then crying out in my undisciplined way that the
task was too hard for me; that I loathed my life; that it was impossible
to live any longer without love and appreciation and sympathy; that so
uncongenial an atmosphere could be no home to me; that the world was an
utter negation and a mockery.
That was before I went to the hospital, at the time when my trouble was
fresh and I was breaking my heart with the longing to see Charlie's face
again. Most people who have lived long in the world, and have parted with
their beloved, know what that sort of hopeless ache means.
My work was over at the hospital, and I had come home again,--to rest, so
they said, but in reality to work out plans for my future life, in a sort
of sullen silence, that seemed to shut me out from all sympathy.
It had wrapped me in a sort of mantle of reserve all the afternoon,
during which I had been driving with Aunt Philippa and Sara. The air
would do me good. I was moped, hipped, with all that dreary hospital
work, so they said. It would distract and amuse me to watch Sara making
her purchases. Reluctance, silent opposition, only whetted their
charitable mood.
'Don't be disagreeable, Ursula. You might as well help me choose my new
mantle,' Sara had said, quite pleasantly, and I had given in with a bad
grace.
Another time I might have been amused by Aunt Philippa's majestic
deportment and Sara's brisk importance, her girlish airs and graces; but
I was too sad at heart to indulge in my usual satire. Everything seemed
stupid and tiresome; the hum of voices wearied me; the showroom at
Marshall and Snelgrove's seemed a confused Babel,--everywhere strange
voices, a hubbub of sound, tall figures in black passing and repassing,
strange faces reflected in endless pier-glasses,--faces of puckered
anxiety repeating themselves in ludicrous _vrai-semblance_.
I saw our own little group reproduced in one. There was Aunt Philippa,
tall and portly, with her well-preserved beauty, a little full-blown
perhaps, but still 'marvellously' good-looking for her age, if she could
only have not been so conscious of the fact.
Public-domain text, read in full here on John Shaqi.
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