Uncle's Dream; and The Permanent HusbandDostoyevsky, Fyodor
General
Uncle's Dream; and The Permanent Husband
Dostoyevsky, Fyodor
Princes -- Russia -- Fiction; Russia -- Social life and customs -- 1533-1917 -- Fiction
This was the most inveterate and bitterest scandal-monger in the town. She
took her stand on the fact that she was a Colonel’s wife, though she often
fought with her husband, the Colonel, and scratched his face handsomely on
such occasions.
Add to this, that it was her custom to drink four glasses of “vodki” at
lunch, or earlier, and four more in the evening; and that she hated Mrs.
Antipova to madness.
“I’ve just come in for a minute, _mon ange_,” she panted; “it’s no use
sitting down—no time! I wanted to let you know what’s going on, simply
that the whole town has gone mad over this prince. Our ‘beauties,’ you
know what I mean! are all after him, fishing for him, pulling him about,
giving him champagne—you would not believe it! _would_ you now? How on
earth you could ever have let him out of the house, I can’t understand!
Are you aware that he’s at Natalia Dimitrievna’s at this moment?”
“At _Natalia Dimitrievna’s_?” cried Maria Alexandrovna jumping up. “Why,
he was only going to see the Governor, and then call in for one moment at
the Antipova’s!”
“Oh, yes, just for one moment—of course! Well, catch him if you can,
there! That’s all I can say. He found the Governor ‘out,’ and went on to
Mrs. Antipova’s, where he has promised to dine. There Natalia caught
him—she is never away from Mrs. Antipova nowadays,—and persuaded him to
come away with her to lunch. So there’s your prince! catch him if you
can!”
“But how—Mosgliakoff’s with him—he promised—”
“Mosgliakoff, indeed,—why, he’s gone too! and they’ll be playing at cards
and clearing him out before he knows where he is! And the things Natalia
is saying, too—out loud if you please! She’s telling the prince to his
face that you, _you_ have got hold of him with certain views—_vous
comprenez_?”
“She calmly tells him this to his face! Of course he doesn’t understand a
word of it, and simply sits there like a soaked cat, and says ‘Ye—yes!’
And would you believe it, she has trotted out her Sonia—a girl of fifteen,
in a dress down to her knees—my word on it? Then she has sent for that
little orphan—Masha; she’s in a short dress too,—why, I swear it doesn’t
reach her knees. I looked at it carefully through my pince-nez! She’s
stuck red caps with some sort of feathers in them on their heads, and set
them to dance some silly dance to the piano accompaniment for the prince’s
benefit! You know his little weakness as to our sex,—well, you can imagine
him staring at them through his glass and saying, ‘_Charmant!_—What
figures!’ Tfu! They’ve turned the place into a music hall! Call that a
dance! I was at school at Madame Jarne’s, I know, and there were plenty of
princesses and countesses there with me, too; and I know I danced before
senators and councillors, and earned their applause, too: but as for this
dance—it’s a low can-can, and nothing more! I simply _burned_ with
shame,—I couldn’t stand it, and came out.”
“How! have you been at Natalia Dimitrievna’s? Why, you——!”
Public-domain text, read in full here on John Shaqi.
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