Uncle's Dream; and The Permanent Husband — John Shaqi
Uncle's Dream; and The Permanent HusbandDostoyevsky, Fyodor
General
Uncle's Dream; and The Permanent Husband
Dostoyevsky, Fyodor
Princes -- Russia -- Fiction; Russia -- Social life and customs -- 1533-1917 -- Fiction
“I assure you—I assure you, _mon cher_ Prince! Listen Zina, I must just
tell the prince that absurd story about what Natalia Dimitrievna did when
she was here last week. Dearest prince, I am not a scandal-monger, but I
must, I really _must_ tell you this, if only to make you laugh, and to
show you a living picture, as it were, of what people are like in this
place! Well, last week this Natalia Dimitrievna came to call upon me.
Coffee was brought in, and I had to leave the room for a moment—I forget
why—at all events, I went out. Now, I happened to have remarked how much
sugar there was in the silver sugar basin; it was quite full. Well, I came
back in a few minutes—looked at the sugar basin, and!——three lumps—three
little wretched lumps at the very bottom of the basin, prince!—and she was
all alone in the room, mind! Now that woman has a large house of her own,
and lots of money! Of course this is merely a funny story—but you can
judge from this what sort of people one has to deal with here!”
“N—no! you don’t mean it!” said the prince, in real astonishment. “What a
gr—eedy woman! Do you mean to say she ate it all up?”
“There, prince, and that’s your ‘charming woman!’ What do you think of
_that_ nice little bit of lady-like conduct? I think I should have died of
shame if I had ever allowed myself to do such a dirty thing as that!”
“Ye—yes, ye—yes! but, do you know, she is a real ‘_belle femme_’ all the
same!”
“What! Natalia Dimitrievna? My dear prince; why, she is a mere tub of a
woman! Oh! prince, prince! what have you said? I expected far better taste
of _you_, prince!”
“Ye—yes, tub—tub, of course! but she’s a n—nice figure, a nice figure! And
the girl who danced—oh! a nice figure too, a very nice figure of a
wo—woman!”
“What, Sonia? Why she’s a mere child, prince? She’s only thirteen years
old.”
“Ye—yes, ye—yes, of course; but her figure de—velops very fast—charming,
charming! And the other da—ancing girl, she’s de—veloping too—nicely:
she’s dirty rather—she might have washed her hands, but very at—tractive,
charming!” and the prince raised his glass again and hungrily inspected
Zina. “_Mais quelle charmante personne!_—what a lovely girl!” he muttered,
melting with satisfaction.
“Zina, play us something, or—better still, sing us a song! How she sings,
prince! she’s an artiste—a real artiste; oh if you only knew, dear
prince,” continued Maria Alexandrovna, in a half whisper, as Zina rose to
go to the piano with her stately but quiet gait and queenly composure,
which evidently told upon the old man; “if you only knew what a daughter
that is to me! how she can love; how tender, how affectionate she is to
me! what taste she has, what a heart!”
“Ye—yes! ye—yes! taste. And do you know, I have only known one woman in
all my life who could compare with her in love—liness. It was the late
C—ountess Nainsky: she died thirty years ago, a w—onderful woman, and her
beauty was quite sur—passing. She married her co—ook at last.”
Public-domain text, read in full here on John Shaqi.
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