Uncle's Dream; and The Permanent Husband — John Shaqi
Uncle's Dream; and The Permanent HusbandDostoyevsky, Fyodor
General
Uncle's Dream; and The Permanent Husband
Dostoyevsky, Fyodor
Princes -- Russia -- Fiction; Russia -- Social life and customs -- 1533-1917 -- Fiction
“In a lunatic asylum? Ah, the scoundrels! oh, the inhuman wretches! Ah,
the low cunning of them! Yes, Prince; I had heard of it. But the lunacy
was in these people, not in _you_. Why, _why_ was it—what for?”
“I don’t know myself, what it was for,” replied the poor old man, feebly
sinking into his chair; “I was at a ball, don’t you know, and told some
an—ecdote or other and they didn’t like it; and so they got up a scandal
and a ro—ow.”
“Surely that was not all, Prince?”
“No;—the—I was playing cards with Prince Paul De—mentieff, and I was
cleared out: you see, I had two kings and three quee—ns, three kings and
two qu—eens; or I should say—one king—and some queens—I know I had——.”
“And it was for this? Oh, the hellish inhumanity of some people! You are
weeping, Prince; but be of good cheer—it is all over now! Now I shall be
at hand, dearest Prince,—I shall not leave Zina; and we shall see which of
them will dare to say a word to you, _then_! And do you know, my Prince,
your marriage will expose them! it will shame them! They will see that you
are a man—that a lovely girl like our Zina would never have married a
madman! You shall raise your head proudly now, and look them straight in
the face!”
“Ye—yes; I shall look them straight in the f—ace!” murmured the prince,
slowly shutting his eyes.
Maria Alexandrovna saw that her work was done: the prince was tired out
with love and emotion. She was only wasting her eloquence!
“Prince, you are disturbed and tired, I see you are!” she said; “you must
rest, you must take a good rest after so much agitation,” she added,
bending over him maternally.
“Ye—yes, ye—yes; I should like to lie down a little,” said the old man.
“Of course, of course! you must lie down! those agitating scenes——stop, I
will escort you myself, and arrange your couch with my own hands! Why are
you looking so hard at that portrait, Prince? That is my mother’s picture;
she was an angel—not a woman! Oh, why is she not among us at this joyful
moment!”
“Ye—yes; charming—charming! Do you know, I had a mother too,—a princess,
and imagine! a re—markably, a re—markably fat woman she was; but that is
not what I was going to say,——I—I feel a little weak, and——Au revoir, my
charming child—to-morrow—to-day—I will—I—I—Au revoir, au revoir!” Here the
poor old fellow tried to kiss his hand, but slipped, and nearly fell over
the threshold of the door.
“Take care, dear Prince—take care! lean on my arm!” cried Maria
Alexandrovna.
“Charming, ch—arming!” he muttered, as he left the room. “I am only now
le—learning to live!”
Zina was left alone.
A terrible oppression weighed down her heart. She felt a sensation of
loathing which nearly suffocated her. She despised herself—her cheeks
burned. With folded hands, and teeth biting hard into her lips, she stood
in one spot, motionless. The tears of shame streamed from her eyes,——and
at this moment the door opened, and Paul Mosgliakoff entered the room!
CHAPTER IX.
He had heard all—_all_.
Public-domain text, read in full here on John Shaqi.
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