National characteristics, American; Uncle Sam (Symbolic character)
In Illinois the Know-Nothing order
split into two factions, 'the Sams' insisting upon an anti-Catholic
program and 'the Jonathans' proposing not to antagonize Catholics who
owed no civil allegiance as distinguished from spiritual allegiance to
the Pope. The Jonathans triumphed" (Know-Nothing Party, pp. 54, 103).
Exactly what the Know-Nothings meant by "Sam" is not apparent from
these extracts; but fortunately the question need not further detain us.
One more statement may be considered here. In 1882 A. S. Palmer
remarked: "SAMBO, the ordinary nickname for a negro, often mistaken as
a pet name formed from _Sam, Samuel_, ... is really borrowed from his
Spanish appellation _zambo_,.... A connexion was sometimes imagined
perhaps with _Uncle Sam_, a popular name for the United States"
(Folk-Etymology, pp. 338, 339). It may be doubted whether any one has
ever seriously advanced the notion that Sambo is formed from Sam or
Samuel, or that there is a connection between Sambo and Uncle Sam.
"This _Negre Sambo_ comes to me," wrote R. Ligon in 1657, "and seeing
the needle wag, desired to know the reason of its stirring" (True &
Exact History of the Island of Barbados, pp. 49, 50, 54). Before 1700
we read of "Sambo negro helping caring goods" (New England Historical
and Genealogical Register, XXXIV, 98). In the _Boston News-Letter_ of
October 2, 1704, an advertisement stated that "There is a Negro man
taken up ... calls himself _Sambo_" (p. 2-2). In 1716 "Sambo a negro
servant" was married to Hagar (New England Historical and Genealogical
Register, XXXVIII, 27). In the _Boston Gazette_ of July 22, 1765, "a
Negro Man named _Sambo_" was advertised as a runaway (p. 4-3). In the
_Massachusetts Spy_ of February 17, 1813, we read: "The moan of the
poor black man interrupted the sweet song of the mocking bird. We could
not distinguish all the voices that rose from the field, but the ear
caught a fragment of the poor negro's song:--The lash of the driver
forced a scream of anguish that moment from Sambo, and we heard no
more" (p. 4-2).
Public-domain text, read in full here on John Shaqi.
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