Uncle William: The Man Who Was Shif'lessLee, Jennette
General
Uncle William: The Man Who Was Shif'less
Lee, Jennette
Fiction
It was late in the winter that Andy appeared one morning bringing a
letter from the artist. Uncle William searched for his spectacles and
placed them on his nose with a genial smile.
Andy had not relinquished the letter. “I can read it for ye,” he
volunteered.
“I can read it all right now, Andy, thank ye.” Uncle William reached out
a hand for it.
Andy’s fingers relaxed on it grudgingly. He had once or twice been
allowed to open and read the letters in the temporary absence of Uncle
William’s spectacles. He found them more entertaining than when Uncle
William read them. He privately suspected him of suppressing bits of
news.
Uncle William looked up from the lines with pleased countenance. “Now,
that’s good. He’s finished up five on ’em.”
“Five what?”
“Picters,” responded Uncle William, spelling it out slowly. “There’s one
of my house,”--lofty pride held the voice,--“and one of the cove down
below, and two up by the end of old Bodet place, and one on the hill,
this side of your place. Now, that’s quite a nice lot, ain’t it?”
“What’s he going to do with ’em,” asked Andy.
“There’s a kind of exhibit goin’ on.” Uncle William consulted the
letter. “‘The Exhibition of American Artists’--suthin’ like a fair, I
take it. And he’s goin’ to send ’em.”
“Thinks he’ll take a prize, I s’pose.” Andy’s tone held fine scepticism.
“Well, I dunno. He don’t say nuthin’ about a prize. He does kind o’ hint
that he’ll be sendin’ me suthin’ pretty soon. I guess likely there’ll
be prizes. He o’t to take one if there is. He made fust-rate picters,
fust-rate--”
“The whole lot wa’n’t wuth the _Jennie_.” Andy spoke with sharp
jealousy.
“Well, mebbe not--mebbe not. Want a game of checkers, Andy?”
“_I_ don’t care,” sullenly. Uncle William brought out the board and
arranged the pieces with stiff fingers.
Andy watched the movements, his eye callous to pleasure.
“It’s your move, Andy.”
Andy drew up to the table and reached out a hand. . . . The spirit of
the game descended upon him. He pushed forward a man with quick fingers.
“Go ahead.”
Uncle William took time. His fingers hovered here and there in loving
calculation. At last he lifted the piece and moved it slowly forward.
“Same move you al’ays make,” said Andy, contemptuously.
“Sometimes I beat that way, don’t I?”
“And sometimes you don’t.” Andy shoved forward another piece. The quick
movement expressed scorn of dawdlers.
Uncle William met it mildly. He set his man in place with slow care.
Andy paused. He snorted a little. He bent above the board, knitting his
forehead. His hand reached out and drew back. The fingers reached out
and drew back. The fingers drummed a little on the edge of the board.
Uncle William, leaning forward, a hand on either knee, beamed on him
benignantly.
Andy shifted a little in his chair. “You’re going to get into trouble,”
he said warningly, “if you move that way.”
“Like enough, like enough. I gen’ally do. Is it my move?”
Public-domain text, read in full here on John Shaqi.
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