Uncle William: The Man Who Was Shif'less — John Shaqi
Uncle William: The Man Who Was Shif'lessLee, Jennette
General
Uncle William: The Man Who Was Shif'less
Lee, Jennette
Fiction
At intervals during the day the artist demanded his clothes, each time
a little more vigorously. Uncle William put him off. “I don’t see that
picter of my house anywheres ’round,” he said when pressed too close.
“No.”
“You sent it off?”
“Yes.” The young man was silent a minute. “Sergia took them--all of
them--when I fell sick. They were not ready--not even framed. She was to
send them to the committee. I have not heard.”
“I’ll go see ’em in the mornin’,” said Uncle William.
“I don’t know that you can--”
“Can’t anybody go in--if it’s an exhibit--by payin’ suthin’?”
“I mean, I don’t know that they’re hung.”
“Well, I wouldn’t bother about that. I’d like to see ’em jest as well
if they ain’t hung. I’m putty tall, but I can scooch down as well as
anybody. It’ll seem kind o’ good to see the ol’ place. I was thinkin’
this mornin’ I wish’t there was two-three rocks round somewheres. I
guess that’s what picters are for. Some folks _hev_ to live in New
York--can’t _get_ away. I sha’n’t mind if they ain’t hung up. I can see
’em all right, scoochin’ a little.”
The young man smiled. “I don’t know that they’re accepted.”
“Why not--if she sent ’em?”
“Oh, she sent them all right. They may have been refused.”
“At an exhibit?”
“Yes.”
“Well, up our way we don’t do like that. We take everything that comes
in--pies and pickles and bedquilts and pumpkins and everything; putty
triflin’ stuff, some of it, but they take it. This is different, I
s’pose?”
“A little. Yes. They only take the best--or what they call the best.”
The tone was bitter.
Uncle William looked at him mildly. “Then they took yourn--every one on
’em. They was as good picters as I ever see.”
The artist’s face lightened a little. “They _were_ good.” His thought
dwelt on them lovingly.
Uncle William slipped quietly away to his room. The artist heard him
moving about, opening and shutting bureau drawers, humming gently and
fussing and talking in broken bits. Time passed. It was growing dark in
the room.
The artist turned a little impatiently. “Hallo there!”
Uncle William stuck out his head. “Want suthin’?”
“What are you doing?” said the artist. It was almost querulous.
Uncle William came out, smoothing his neckerchief. It was a new one,
blue like the sky. “I was fixin’ up a little to go see her. Do I look
to suit you?” He moved nearer in the dusk with a kind of high pride.
The tufts of hair stood erect on his round head, the neckerchief had
a breezy knot with fluttering ends, and the coat hung from his great
shoulders like a sail afloat.
The artist looked him over admiringly. “You’re great!” he said. “How did
you come to know enough not to change?”
“I’ve changed everything!” declared Uncle William. His air of pride
drooped a little.
The artist laughed out. “I mean you kept your same kind of clothes. A
good many people, when they come down here to New York, try to dress
like other folks--get new things.”
Public-domain text, read in full here on John Shaqi.
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