CHAPTER
I CÆSAR AUGUSTUS 11
II TIBERIUS: THE CÆSAR OF CHRIST’S MINISTRY 49
III CALIGULA, THE MADCAP 71
IV CLAUDIUS, THE STOLID 83
V NERO, THE CRUEL 102
POSTSCRIPT 135
LIST OF ILLUSTRATIONS
THE JULIAN FAMILY _Facing Half-Title_
AUGUSTUS AS EMPEROR _Frontispiece_
_Facing page_
JULIUS CÆSAR 11
MARK ANTONY 16
CICERO 24
ALTAR OF PEACE 37
THE CRYPTOPORTICUS 39
TIBERIUS 49
DRUSUS 54
CALIGULA 71
CLAUDIUS 83
CLAUDIAN AQUEDUCT 90
NERO 102
AGRIPPINA II AND NERO 112
POPPÆA 115
SENECA 121
NOMENTANA BRIDGE 129
PREFACE
Like ruler, like people! Kings and emperors are conspicuous specimens
of the character of their times. They are centers around which revolve
the prevailing tastes and passions of men. They also influence and
control the minds of their subjects. If we would know the spirit of any
period of history, we need only to fix our gaze upon the individuals in
power at that time.
If we would ascertain, therefore, what sort of a world it was into
which Jesus Christ came; how impossible it was that He should be its
natural and merely human product; against what a dark background of
selfishness and tyranny, immorality, and vice His heavenly purity and
self-sacrificing love shone forth; what cynical materialism and infidel
philosophy, what coarse stolidity and bitter malice He had to meet, and
what hindrances and persecutions His cause, in the persons of His early
followers, had to contend with, we cannot do better than to study the
lives of the Roman emperors of the first century. This is the reason
for presenting here some sketches of the careers of Augustus, Tiberius,
Caligula, Claudius, and Nero, and for asking what relics can still be
found of their times and of their work. To contemplate some material
object that they respectively touched or planned or builded,--some
hoary ruin or crumbling fragment of temple, palace, aqueduct, or
sepulcher,--seems to bring us into closer relation with them and
to make more real to us those great dramatic figures, which would
otherwise be but dim shadows of the past.
* * * * *
Public-domain text, read in full here on John Shaqi.
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