When a distinguished Oxford student told Americans, through the distinguished medium of Harvard College, that they were “speeding with invincible optimism down the road to destruction,” they paid him the formal compliment of listening to, and commenting upon, his words. They did not go so far as to be disturbed by them, because it is the nature of men to remain unmoved by prophecies. Only the Greek chorus--or its leader--paid any heed to Cassandra; and the folly of Edgar Poe in accepting without demur the reiterated statement of his raven is apparent to all readers of a much-read poem. The world has been speeding through the centuries to destruction, and the end is still remote. Nevertheless, as it is assuredly not speeding to perfection, the word that chills our irrational content may do us some small service. It is never believed, and it is soon forgotten; but for a time it gives us food for thought. Any one born as long ago as I was must remember that the virtue most deeply inculcated in our nurseries was content. It had no spiritual basis to lend it dignity and grace, but was of a Victorian smugness; though, indeed, it was not Victorian at all, but an inheritance from those late Georgian days which were the smuggest known to fame. It was a survival from Hannah More and Jane Taylor, ladies dissimilar in most respects, but with an equal gift for restricting the horizon of youth. I don’t remember who wrote the popular story of the “Discontented Cat” that lived in a cottage on bread and milk and mice, and that made itself unhappy because a wealthy cat of its acquaintance was given buttered crumpets for breakfast; but either Jane Taylor or her sister Ann was responsible for the “Discontented Pendulum,” which grew tired of ticking in the dark, and, being reminded that it had a window to look through, retorted very sensibly that there was no use having a window, if it could not stop a second to look through it. The nursery theory of content was built up on the presumption that you were the favoured child of fortune--or of God--while other, and no less worthy, children were objects of less kindly solicitude. Miss Taylor’s “Little Ann” weeps because she sees richly clad ladies stepping into a coach while she has to walk; whereupon her mother points out to her a sick and ragged beggar child, whose “naked feet bleed on the stones,” and with enviable hardness of heart bids her take comfort in the sight: “This poor little beggar is hungry and cold, No father nor mother has she; And while you can daily such objects behold, You ought quite contented to be.”