In the United States the educational by-products are less clear-cut,
because the force of tradition is weaker, and because too many boys are
taught too long by women. The difficulty of obtaining male teachers has
accustomed us to this anomaly, and we have even been heard to murmur
sweet phrases concerning the elevating nature of feminine influence.
But the fact remains that a boy is destined to grow into a man, and
for this contingency no woman can prepare him. Only men, and men of
purpose and principle, can harden him into the mould of manhood. It is
a question of character, which great by-product of education cannot
be safely undervalued even in a busy and clever age. “It was always
through enfeeblement of character,” says Gustave Le Bon, “and not
through enfeeblement of intellect, that the great peoples disappeared
from history.”
And this truth paves the way for an assertion which, however
controvertible, is not without strong support. Of all the direct
products of education (of education as an end in itself, and not as an
approach to something else), a knowledge of history is most essential.
So, at least, it seems to me, though I speak with diffidence, being
well aware that makers of history, writers of history, and teachers of
history, have agreed that it is an elusive, deceptive and disputable
study. Yet it is the heart of all things, and every intellectual
by-path leads to this central theme. Most firmly do I believe with “the
little Queen-Anne man” that
“The proper study of mankind is man”;
and how shall we reach him save through the pages of history? It is
the foundation upon which are reared the superstructures of sociology,
psychology, philosophy and ethics. It is our clue to the problems of
the race. It is the gateway through which we glimpse the noble and
terrible things which have stirred the human soul.
A cultivated American poet has said that men of his craft “should
know history inside out, and take as much interest in the days of
Nebuchadnezzar as in the days of Pierpont Morgan.” This is a spacious
demand. The vast sweep of time is more than one man can master, and the
poet is absolved by the terms of his art from severe study. He may know
as much history as Matthew Arnold, or as little as Herrick, who lived
through great episodes, and did not seem to be aware of them. But Mr.
Benét is wise in recognizing the inspiration of history, its emotional
and imaginative appeal. New York and Pierpont Morgan have their tale
to tell; and so has the dark shadow of the Babylonian conqueror, who
was so feared that, while he lived, his subjects dared not laugh; and
when he died, and went to his appointed place, the poor inmates of Hell
trembled lest he had come to rule over them in place of their master,
Satan.
Public-domain text, read in full here on John Shaqi.
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