After waiting five minutes and knocking twice, a slatternly maid
appeared and asked him to walk upstairs. Rupert followed her leisurely;
he knew very well what sort of reception to expect, and was not
surprised when she merely opened the drawing-room door, and left him to
announce himself. "No ceremony" was the rule in the Herons' household,
and very objectionable Rupert Vivian sometimes found it.
The day had been foggy and dark, and a bright fire threw a cheerful
light over the scene which presented itself to Rupert's eyes. A pleasant
clinking of spoons and cups and saucers met his ear. He stood at the
door for a moment unobserved, listening and looking on. He was a
privileged person in that house, and considered himself quite at liberty
to look and listen if he chose.
The room had an air of comfort verging upon luxury, but if was untidy to
a degree which Rupert thought disgraceful. For the rich hues of the
curtains, the artistic character of the Japanese screens and Oriental
embroideries, the exquisite landscape-paintings on the walls, were
compatible with grave deficiencies in the list of more ordinary articles
of furniture. There were two or three picturesque, high-backed chairs,
made of rosewood (black with age) and embossed leather, but the rest of
the seats consisted of divans, improvised by ingenious fingers out of
packing-boxes and cushions covered with Morris chintzes; or brown
Windsor chairs, evidently imported straight from the kitchen. A battered
old writing-desk had an incongruous look when placed next to a costly
buhl clock on a table inlaid indeed with mother-of-pearl, but wanting in
one leg; and so no valuable blue china was apt to pass unobserved upon
the mantelpiece because it was generally found in company with a child's
mug, a plate of crusts, or a painting-rag. A grand piano stood open, and
was strewn with sheets of music; two sketching portfolios conspicuously
adorned the hearth-rug. A tea-table was drawn up near the fire, and the
firelight was reflected pleasantly in the gleaming silver and porcelain
of the tea-service.
The human elements of the scene were very diverse. Mrs. Heron, a
languid-looking, fair-haired woman, lay at full length on one of the
divans. Her step-daughter, Kitty, sat at the tea-table, and Kitty's
elder brother, Percival, a tall, broad-shouldered young man of
eight-and-twenty, was leaning against the mantelpiece. A girl, who
looked about twenty-one years of age was sitting in the deepest shadow
of the room. The firelight played upon her hands, which lay quietly
folded before her in her lap, but it did not touch her face. Two or
three children were playing about the floor with their toys and a white
fox-terrier. The young man was talking very fast, two at least of the
ladies were laughing, the children were squabbling and shouting. It was
a Babel. As Rupert stood at the door he caught the sense of Percival's
last rapid sentences.
Public-domain text, read in full here on John Shaqi.
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