"Yes, for sure, it was serious. I decided all at once, without thinking
and without wishing to think, seeing I was dazzled with the idea of
seeing my people again; and if I got shot afterwards, well, so much the
worse--but give and take. The supply of law and demand they call it,
don't they?
"My boy, it all went swimmingly. The only hitch was they had such hard
work to find a shako big enough, for, as you know, I'm well off for
head. But even that was fixed up. They raked me out in the end a
lousebox big enough to hold my head. I've already some Boche
boots--those that were Caron's, you know. So, behold us setting off in
the Boche trenches--and they're most damnably like ours--with these
good sorts of Boche comrades, who told me in very good French--same as
I'm speaking--not to fret myself.
"There was no alarm, nothing. Getting there came off all right.
Everything went off so sweet and simple that I fancied I must be a
defaulting Boche. We got to Lens at nightfall. I remember we passed in
front of La Perche and went down the Rue du Quatorze-Juillet. I saw
some of the townsfolk walking about in the streets like they do in our
quarters. I didn't recognize them because of the evening, nor them me,
because of the evening too, and because of the seriousness of things.
It was so dark you couldn't put your finger into your eye when I
reached my folk's garden.
"My heart was going top speed. I was all trembling from head to foot as
if I were only a sort of heart myself. And I had to hold myself back
from carrying on aloud, and in French too, I was so happy and upset.
The Kamarad says to me, 'You go, pass once, then another time, and look
in at the door and the window. Don't look as if you were looking. Be
careful.' So I get hold of myself again, and swallow my feelings all at
a gulp. Not a bad sort, that devil, seeing he'd have had a hell of a
time if I'd got nailed.
"At our place, you know, same as everywhere in the Pas de Calais, the
outside doors of the houses are cut in two. At the bottom, it's a sort
of barrier, half-way up your body; and above, you might call it a
shutter. So you can shut the bottom half and be one-half private.
"The top half was open, and the room, that's the dining-room, and the
kitchen as well, of course, was lighted up and I heard voices.
"I went by with my neck twisted sideways. There were heads of men and
women with a rosy light on them, round the round table and the lamp. My
eyes fell on her, on Clotilde. I saw her plainly. She was sitting
between two chaps, non-coms., I believe, and they were talking to her.
And what was she doing? Nothing; she was smiling, and her face was
prettily bent forward and surrounded with a light little framework of
fair hair, and the lamp gave it a bit of a golden look.
Public-domain text, read in full here on John Shaqi.
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