"I'm not wounded; I'm ill."
"Oh, I see!" they said, in a tone which meant "You're not interesting."
He understood, and pleaded the cause of his illness:
"I'm done in, I spit blood. I've no strength left, and it doesn't come
back, you know, when it goes away like that."
"Ah, ah!" murmured the comrades--wavering, but secretly convinced all
the same of the inferiority of civilian ailments to wounds.
In resignation he lowered his head and repeated to himself very
quietly, "I can't walk any more; where would you have me go?"
* * * * *
A commotion is arising for some unknown reason in the horizontal gulf
which lengthens as it contracts from stretcher to stretcher as far as
the eye can see, as far as the pallid peep of daylight, in this
confused corridor where the poor winking flames of candles redden and
seem feverish, and winged shadows cast themselves. The odds and ends of
heads and limbs are agitated, appeals and cries arouse each other and
increase in number like invisible ghosts. The prostrate bodies
undulate, double up, and turn over.
In the heart of this den of captives, debased and punished by pain, I
make out the big mass of a hospital attendant whose heavy shoulders
rise and fall like a knapsack carried crosswise, and whose stentorian
voice reverberates at speed through the cave. "You've been meddling
with your bandage again, you son of a lubber, you varmint!" he
thunders. "I'll do it up again for you, as long as it's you, my chick,
but if you touch it again, you'll see what I'll do to you!"
Behold him then in the obscurity, twisting a bandage round the cranium
of a very little man who is almost upright, who has bristling hair and
a beard which puffs out in front. With dangling arms, he submits in
silence. But the attendant abandons him, looks on the ground and
exclaims sonorously, "What the--? Eh, come now, my friend, are you
cracked? There's manners for you, to lie down on the top of a patient!"
And his capacious hand disengages a second limp body on which the first
had extended himself as on a mattress; while the mannikin with the
bandaged head alongside, as soon as he is let alone, puts his hands to
his head without saying a word and tries once more to remove the
encircling lint.
There is an uproar, too, among some shadows that are visible against a
luminous background; they seem to be wildly agitated in the gloom of
the crypt. The light of a candle shows us several men shaken with their
efforts to hold a wounded soldier down on his stretcher. It is a man
whose feet are gone. At the end of his legs are terrible bandages, with
tourniquets to restrain the hemorrhage. His stumps have bled into the
linen wrappings, and he seems to wear red breeches. His face is
devilish, shining and sullen, and he is raving. They are pressing down
on his shoulders and knees, for this man without feet would fain jump
from the stretcher and go away.
Public-domain text, read in full here on John Shaqi.
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