"Let me go!" he rattles in breathless, quavering rage. His voice is low, with sudden sonorities, like a trumpet that one tries to blow too softly. "By God, let me go, I tell you! Do you think I'm going to stop here? Allons, let me be, or I'll jump over you on my hands!" So violently he contracts and extends himself that he pulls to and fro those who are trying to restrain him by their gripping weight, and I can see the zigzags of the candle held by a kneeling man whose other arm engirdles the mutilated maniac, who shouts so fiercely that he wakes up the sleepers and dispels the drowsiness of the rest. On all sides they turn towards him; half rising, they listen to the incoherent lamentations which end by dying in the dark. At the same moment, in another corner, two prostrate wounded, crucified on the ground, so curse each other that one of them has to be removed before the frantic dialogue is broken up. I go farther away, towards the point where the light from outside comes through among the tangled beams as through a broken grating, and stride over the interminable stretchers that take up all the width of the underground alley whose oppressive confinement chokes me. The human forms prone on the stretchers are now hardly stirring under the Jack-o'-lanterns of the candles; they stagnate in their rattling breath and heavy groans. On the edge of a stretcher a man is sitting, leaning against the wall. His clothes are torn apart, and in the middle of their darkness appears the white, emaciated breast of a martyr. His head is bent quite back and veiled in shadow, but I can see the beating of his heart. The daylight that is trickling through at the end, drop by drop, comes in by an earth-fall. Several shells, falling on the same spot, have broken through the heavy earthen roof of the Refuge. Here, some pale reflections are cast on the blue of the greatcoats, on the shoulders and along the folds. Almost paralyzed by the darkness and their own weakness, a group of men is pressing towards the gap, like dead men half awaking, to taste a little of the pallid air and detach themselves from the sepulcher. This corner at the extremity of the gloom offers itself as a way of escape, an oasis where one may stand upright, where one is lightly, angelically touched by the light of heaven. "There were some chaps there that were blown to bits when the shells burst," said some one to me who was waiting there in the sickly ray of entombed light. "You talk about a mess! Look, there's the padre hooking down what was blown up."