And what is this silence, too, this prodigious silence? There is no
sound, except when from time to time a lump of earth slips into the
water, in the middle of this fantastic paralysis of the world. No one
is firing. There are no shells, for they would not burst. There are no
bullets, either, for the men--
Ah, the men! Where are the men?
We see them gradually. Not far from us there are some stranded and
sleeping hulks so molded in mud from head to foot that they are almost
transformed into inanimate objects.
Some distance away I can make out others, curled up and clinging like
snails all along a rounded embankment, from which they have partly
slipped back into the water. It is a motionless rank of clumsy lumps,
of bundles placed side by side, dripping water and mud, and of the same
color as the soil with which they are blended.
I make an effort to break the silence. To Paradis, who also is looking
that way, I say, "Are they dead?"
"We'll go and see presently," he says in a low voice; "stop here a bit
yet. We shall have the heart to go there by and by."
We look at each other, and our eyes fall also on the others who came
and fell down here. Their faces spell such weariness that they are no
longer faces so much as something dirty, disfigured and bruised, with
blood-shot eyes. Since the beginning we have seen each other in all
manner of shapes and appearances, and yet--we do not know each other.
Paradis turns his head and looks elsewhere.
Suddenly I see him seized with trembling. He extends an arm enormously
caked in mud. "There--there--" he says.
On the water which overflows from a stretch particularly cross-seamed
and gullied, some lumps are floating, some round-backed reefs.
We drag ourselves to the spot. They are drowned men. Their arms and
heads are submerged. On the surface of the plastery liquid appear their
backs and the straps of their accouterments. Their blue cloth trousers
are inflated, with the feet attached askew upon the ballooning legs,
like the black wooden feet on the shapeless legs of marionettes. From
one sunken head the hair stands straight up like water-weeds. Here is a
face which the water only lightly touches; the head is beached on the
marge, and the body disappears in its turbid tomb. The face is lifted
skyward. The eyes are two white holes; the mouth is a black hole. The
mask's yellow and puffed-up skin appears soft and creased, like dough
gone cold.
They are the men who were watching there, and could not extricate
themselves from the mud. All their efforts to escape over the sticky
escarpment of the trench that was slowly and fatally filling with water
only dragged them still more into the depth. They died clinging to the
yielding support of the earth.
Public-domain text, read in full here on John Shaqi.
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