"Saturday night it was, at eleven o'clock. He had the top of his back taken away by a shell," says Marchal, "cut off like a razor. Besse got a bit of shell that went clean through his belly and stomach. Barthlemy and Baubex got it in the head and neck. We passed the night skedaddling up and down the trench at full speed, to dodge the showers. And little Godefroy--did you know him?--middle of his body blown away. He was emptied of blood on the spot in an instant, like a bucket kicked over. Little as he was, it was remarkable how much blood he had, it made a stream at least fifty meters long. Gougnard got his legs cut up by one explosion. They picked him up not quite dead. That was at the listening post. I was there on duty with them. But when that shell fell I had gone into the trench to ask the time. I found my rifle, that I'd left in my place, bent double, as if some one had folded it in his hands, the barrel like a corkscrew, and half of the stock in sawdust. The smell of fresh blood was enough to bring your heart up." "And Mondain--him, too?" "Mondain--that was the day after, yesterday in fact, in a dug-out that a shell smashed in. He was lying down, and his chest was crushed. Have they told you about Franco, who was alongside Mondain? The fall of earth broke his spine. He spoke again after they'd got him out and set him down. He said, with his head falling to one side, 'I'm dying,' and he was gone. Vigile was with them, too; his body wasn't touched, but they found him with his head completely flattened out, flat as a pancake, and huge-as big as that. To see it spread out on the ground, black and distorted, it made you think of his shadow--the shadow one gets on the ground sometimes when one walks with a lantern at night." "Vigile--only Class 1913--a child! And Mondain and Franco--such good sorts, in spite of their stripes. We're so many old special pals the less, mon vieux Marchal." "Yes," says Marchal. But he is swallowed up in a crowd of his friends, who worry and catechise him. He bandies jests with them, and answers their raillery, and all hustle each other, and laugh. I look from face to face. They are merry, and in spite of the contractions of weariness, and the earth-stains, they look triumphant. What does it mean? If wine had been possible during their stay in the first line, I should have said, "All these men are drunk." I single out one of the survivors, who hums as he goes, and steps in time with it flippantly, as hussars of the stage do. It is Vanderborn, the drummer. "Hullo, Vanderborn, you look pleased with yourself!" Vanderborn, who is sedate in the ordinary, cries, "It's not me yet, you see! Here I am!" With a mad gesticulation he serves me a thump on the shoulder. I understand.