Lamuse, following close on my heels, saw nothing, and I do not tell
him. He will discover quite soon enough the bright presence of that
lovely flame where he would fain cast himself bodily, though it evades
him like a Will-o'-th'-wisp. For the moment, besides, we are on
business bent. The coveted corner must be won. We resume the hunt with
the energy of despair. Barque leads us on; he has taken the matter to
heart. He is trembling--you can see it in his dusty scalp. He guides
us, nose to the wind. He suggests that we make an attempt on that
yellow door over there. Forward!
Near the yellow door, we encounter a shape down-bent. Blaire, his foot
on a milestone, is reducing the bulk of his boot with his knife, and
plaster-like debris is falling fast. He might be engaged in sculpture.
"You never had your feet so white before," jeers Barque. "Rotting
apart," says Blaire, "you don't know where it is, that special van?" He
goes on to explain: "I've got to look up the dentist-van, so they can
grapple with my ivories, and strip off the old grinders that's left.
Oui, seems it's stationed here, the chop-caravan."
He folds up his knife, pockets it, and goes off alongside the wall,
possessed by the thought of his jaw-bones' new lease of life.
Once more we put up our beggars' petition: "Good-day, madame; you
haven't got a little corner where we could feed? We would pay, of
course, we would pay--"
Through the glass of the low window we see lifted the face of an old
man--like a fish in a bowl, it looks--a face curiously flat, and lined
with parallel wrinkles, like a page of old manuscript.
"You've the little shed there."
"There's no room in the shed, and when the washing's done there--"
Barque seizes the chance. "It'll do very likely. May we see it?"
"We do the washing there," mutters the woman, continuing to wield her
broom.
"You know," says Barque, with a smile and an engaging air, "we're not
like those disagreeable people who get drunk and make themselves a
nuisance. May we have a look?"
The woman has let her broom rest. She is thin and inconspicuous. Her
jacket hangs from her shoulders as from a valise. Her face is like
cardboard, stiff and without expression. She looks at us and hesitates,
then grudgingly leads the way into a very dark little place, made of
beaten earth and piled with dirty linen.
"It's splendid," cries Lamuse, in all honesty.
"Isn't she a darling, the little kiddie!" says Barque, as he pats the
round cheek, like painted india-rubber, of a little girl who is staring
at us with her dirty little nose uplifted in the gloom. "Is she yours,
madame?"
"And that one, too?" risks Marthereau, as he espies an over-ripe infant
on whose bladder-like cheeks are shining deposits of jam, for the
ensnaring of the dust in the air. He offers a half-hearted caress in
the direction of the moist and bedaubed countenance. The woman does not
deign an answer.
So there we are, trifling and grinning, like beggars whose plea still
hangs fire.
Public-domain text, read in full here on John Shaqi.
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