He dives down to the banks of the misty stream that follows the roadway
towards the land of parapets. Stooping, he stops by some faint
swellings of the ground on which crosses are fixed--tombs, recessed at
intervals into the wall of fog, like the Stations of the Cross in a
church.
I call him--we shall never get there at such a funeral pace. Allons!
We come to a wide depression in the land, I in front and Poterloo
lagging behind, his head confused and heavy with thought as he tries in
vain to exchange with inanimate things his glances of recognition. Just
there the road is lower, a fold secretes it from the side towards the
north. On this sheltered ground there is a little traffic.
Along the hazy, filthy, and unwholesome space, where withered grass is
embedded in black mud, there are rows of dead. They are carried there
when the trenches or the plain are cleared during the night. They are
waiting--some of them have waited long--to be taken back to the
cemeteries after dark.
We approach them slowly. They are close against each other, and each
one indicates with arms or legs some different posture of stiffened
agony. There are some with half-moldy faces, the skin rusted, or yellow
with dark spots. Of several the faces are black as tar, the lips hugely
distended--the heads of negroes blown out in goldbeaters' skin. Between
two bodies, protruding uncertainly from one or the other, is a severed
wrist, ending with a cluster of strings.
Others are shapeless larvae of pollution, with dubious items of
equipment pricking up, or bits of bone. Farther on, a corpse has been
brought in in such a state that they have been obliged--so as not to
lose it on the way--to pile it on a lattice of wire which was then
fastened to the two ends of a stake. Thus was it carried in the hollow
of its metal hammock, and laid there. You cannot make out either end of
the body; alone, in the heap that it makes, one recognizes the gape of
a trouser-pocket. An insect goes in and out of it.
Around the dead flutter letters that have escaped from pockets or
cartridge pouches while they were being placed on the ground. Over one
of these bits of white paper, whose wings still beat though the mud
ensnares them, I stoop slightly and read a sentence--"My dear Henry,
what a fine day it is for your birthday!" The man is on his belly; his
loins are rent from hip to hip by a deep furrow; his head is half
turned round; we see a sunken eye; and on temples, cheek and neck a
kind of green moss is growing.
A sickening atmosphere roams with the wind around these dead and the
heaped-up debris, that lies about them--tent-cloth or clothing in
stained tatters, stiff with dried blood, charred by the scorch of the
shell, hardened, earthy and already rotting, quick with swarming and
questing things. It troubles us. We look at each other and shake our
heads, nor dare admit aloud that the place smells bad. All the same, we
go away slowly.
Public-domain text, read in full here on John Shaqi.
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