Now come breaking out of the fog the bowed backs of men who are joined
together by something they are carrying. They are Territorial
stretcher-bearers with a new corpse. They come up with their old wan
faces, toiling, sweating, and grimacing with the effort. To carry a
dead man in the lateral trenches when they are muddy is a work almost
beyond human power. They put down the body, which is dressed in new
clothes.
"It's not long since, now, that he was standing," says one of the
bearers. "It's two hours since he got his bullet in the head for going
to look for a Boche rifle in the plain. He was going on leave on
Wednesday and wanted to take a rifle home with him. He is a sergeant of
the 405th, Class 1914. A nice lad, too."
He takes away the handkerchief that is over the face. It is quite
young, and seems to sleep, except that an eyeball has gone, the cheek
looks waxen, and a rosy liquid has run over the nostrils, mouth, and
eyes.
The body strikes a note of cleanliness in the charnel-house, this still
pliant body that lolls its head aside when it is moved as if to lie
better; it gives a childish illusion of being less dead than the
others. But being less disfigured, it seems more pathetic, nearer to
one, more intimate, as we look. And had we said anything in the
presence of all that heap of beings destroyed, it would have been "Poor
boy!"
We take the road again, which at this point begins to slope down to the
depth where Souchez lies. Under our feet in the whiteness of the fog it
appears like a valley of frightful misery. The piles of rubbish, of
remains and of filthiness accumulate on the shattered spine of the
road's paving and on its miry borders in final confusion. The trees
bestrew the ground or have disappeared, torn away, their stumps
mangled. The banks of the road are overturned and overthrown by
shell-fire. All the way along, on both sides of this highway where only
the crosses remain standing, are trenches twenty times blown in and
re-hollowed, cavities--some with passages into them--hurdles on
quagmires.
The more we go forward, the more is everything turned terribly inside
out, full of putrefaction, cataclysmic. We walk on a surface of shell
fragments, and the foot trips on them at every step. We go among them
as if they were snares, and stumble in the medley of broken weapons or
bits of kitchen utensils, of water-bottles, fire-buckets,
sewing-machines, among the bundles of electrical wiring, the French and
German accouterments all mutilated and encrusted in dried mud, and
among the sinister piles of clothing, stuck together with a
reddish-brown cement. And one must look out, too, for the unexploded
shells, which everywhere protrude their noses or reveal their flanks or
their bases, painted red, blue, and tawny brown.
Public-domain text, read in full here on John Shaqi.
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