Under Lock and Key: A Story. Volume 2 (of 3)Speight, T. W. (Thomas Wilkinson)
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Under Lock and Key: A Story. Volume 2 (of 3)
Speight, T. W. (Thomas Wilkinson)
Detective and mystery stories; English fiction -- 19th century
And yet, truth to tell, the thread of romance inwoven with the
composition of Mirpah Madgin was a very slender one. In so far she
belied her own beauty. For a young woman she was strangely practical,
and that in a curiously unfeminine way. She was her father's managing
clerk and _alter ego_. The housewifely acts of sewing and cooking she
held in utter distaste. For domestic management in any of its forms
she had no faculty, unless it were for that portion of it which
necessitated a watchful eye upon the purse-strings. Such an eye she
had been trained to use since she was quite a girl, and Mirpah the
superb could on occasion haggle over a penny as keenly as the most
ancient fishwife in Tydsbury market.
At five minutes past nine precisely, six mornings out of every seven,
Mirpah Madgin sat down in her father's office and proceeded to open
the letters. Mr. Madgin's business was a multifarious one. Not only
was he Lady Pollexfen's general agent and man of business, although
that was his most onerous and lucrative appointment, and the one that
engaged most of his time and thoughts, but he was also agent for
several lesser concerns, always contriving to have a number of small
irons in the fire at one time. Much of Mr. Madgin's time was spent in
the collection of rents and in out-door work generally, so that nearly
the whole of the office duties devolved upon Mirpah, and by no clerk
could they have been more efficiently performed. She made up and
balanced the numerous accounts with which Mr. Madgin had to deal in
one shape or another. Three-fourths of the letters that emanated from
Mr. Madgin's office were written by her. From long practice she had
learned to write so like her father that only an expert could have
detected the difference between the two hands; and she invariably
signed herself "Yours truly, Solomon Madgin." Indeed, so accustomed
was she to writing her father's name that in her correspondence with
her brother, who was an actor in London, she more frequently than not
signed it in place of her own; so that Madgin junior had to look
whether the letter was addressed to him as a son or as a brother
before he could tell by whom it had been written.
As her father's assistant Mirpah was happy after a quiet, staid sort
of fashion. The energies of her nature found their vent in the busy
life in which she took so much delight. She was not at all
sentimental: she was not the least bit romantic. She was thoroughly
practical, and was as keen in money-making as her father himself. Yet
with all this Mirpah Madgin could be charitable on occasion, and was
by no means deficient of high and generous impulses--only she never
allowed her impulses to interfere with "business."
Public-domain text, read in full here on John Shaqi.
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