Under One Sceptre, or Mortimer's Mission: The Story of the Lord of the MarchesHolt, Emily Sarah
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Under One Sceptre, or Mortimer's Mission: The Story of the Lord of the Marches
Holt, Emily Sarah
Historical fiction; Mortimer, Roger de, Earl of March, 1328-1360 -- Fiction
Earl Roger’s expression of face on this communication was much like that
of a man who is just on the point of swallowing a necessary but very
unpalatable dose of medicine. He gave a rather short reply, to the
effect that he would start for Fleshy early the next morning: and having
dismissed Mr. Westcombe courteously but quickly, he made his way to
another room on the same floor of the house. Sounds of lively
conversation and laughter issued from this room as soon as the door was
opened. The Earl, in whose face the expression with which he had
received his uncle’s behest had rather increased than disappeared from
it, made his way up the long narrow room, filled with brilliant company,
pausing now to greet one, and now another, till he reached a lady
attired in white and ruby satin, who sat at the further end in a curule
chair, surrounded by gentle men who appeared to be paying court to her.
"Pray, suffer me not to let your diversion," remarked the Earl, with the
faintest possible tone of satire under his polished accents: "I suppose
I may have leave to speak with her Ladyship among her other servitors.—I
came but to say, my Lady, that my fair uncle of Gloucester hath sent
unto me this evening, praying me to render visit unto him at Fleshy, as
early as may stand at mine ease. I think, therefore, to set forth with
the morning light, and I shall maybe not have the pleasure to see your
Ladyship again ere my departing."
The voice of the Countess replied, "Then, my Lord, you will not be here
for the dance to-morrow? Truly, this is displeasant tidings!" But what
her eyes said was,—"Really, what a convenient coincidence! I am
delighted to hear it."
"I dare not flatter myself that your Ladyship will miss me," was Earl
Roger’s answer, in the same slightly ironical tone. Then he turned
round, kissed his hand to her, and made his way out of the room.
Just outside he met his children and their nurses, returning from the
garden. They were four very pretty, attractive little children, the
eldest not quite seven years of age, and the youngest only two. The
Earl stopped, and took up the eldest in his arms.
"God bless my Nannette!" he said. "Has Nannette been in the garden?"
Little Anne nodded, and looked earnestly into her father’s eyes. The
expression of them distressed her. Children can read the expression of a
face long before they can read anything else. She thought, in her child
language, that "somebody had hurt him;" she realised that he wanted
comforting and diversion of thought: and her idea of administering both
was to pat his cheek, and to hold up her doll for him to look at.
Somebody had indeed hurt him—somebody who was always hurting
him—somebody who cared not a straw whether he was hurt or not. But who
that was must never be told, except to the two privileged persons who
had discovered it without telling, and whose sympathy was ready and
sure.
Public-domain text, read in full here on John Shaqi.
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