Under Sentence of Death; Or, a Criminal's Last HoursHugo, Victor
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Under Sentence of Death; Or, a Criminal's Last Hours
Hugo, Victor
French fiction -- Translations into English
It was bright daylight, and the prison was full of unaccustomed noise. I
could hear the opening and shutting of heavy doors, the creaking of
bolts and padlocks, the jingling of the keys that the warders carried at
their waists, the shaking of the stairs under the tread of heavy feet,
and voices calling to and answering each other, down the long corridors.
My neighbours in the cells, the refractory convicts, were gayer than
usual. All through Bicêtre rang the sound of mirth, and dance, and song.
I alone in the midst of all this hubbub was dumb. Not understanding the
cause, I listened attentively.
One of the gaolers passed my door.
I ventured to ask him if there was a holiday in the prison.
“You may call it one if you like,” replied he. “To-day they are putting
irons on the convicts, who will start for Toulon to-morrow. Would you
like to see it done?”
After the hermit’s life that I had led such an offer was too good to be
refused, odious as the spectacle might be, and I accepted his offer
gratefully.
The warder took the usual precautions to ensure my safety, and then he
conducted me to an empty cell, without an atom of furniture in it, but
with a window, a real window, from which, though strongly barred, a
glimpse of the sky could be caught.
“Here you are,” said he; “from this you can both see and hear; you have
your private box just like a king!”
Then he left me alone, noisily securing the door with bolts, bars, and
padlocks.
The window looked into a large square courtyard, round the four sides of
which was a tall stone building six storeys in height. Nothing could
look more miserable and naked than these buildings, pierced with an
immense number of windows, all of them heavily barred. Every window was
filled with a crowd of heads, piled one upon another like the stones
that composed the walls, and framed as it were by the interlacing of the
iron bars. These were the prisoners, spectators of a ceremony in which
one day they would play the principal part. You could compare them to
nothing but the souls in purgatory gazing through the windows that
looked on to the infernal regions.
All gazed in silence on to the court, which was totally unoccupied.
In one of the buildings that surrounded the courtyard was an opening
closed by a gate of iron bars; this opened into a smaller courtyard,
surrounded, like the other, by a series of gloomy-looking buildings. All
round the larger court were stone benches, built against the wall, and
in the centre was a tall iron lamp-post.
Twelve o’clock struck; the gate was hurriedly thrown open. A waggon,
escorted by men somewhat resembling soldiers, but dirty and
untidy-looking, lumbered heavily into the yard with a loud clanking of
iron. The men were the guardians of the galleys, and the waggon
contained the chain.
Public-domain text, read in full here on John Shaqi.
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