India -- History -- British occupation, 1765-1947 -- Fiction; Short stories, English
She. He asks me that when I’m going to commit suicide for his sake, and,
and I don’t want to be French and rave about my mother, but have I ever
told you that I have a mother, and a brother who was my pet before I
married? He’s married now. Can’t you imagine the pleasure that the news
of the elopement will give him? Have you any people at Home, Guy, to be
pleased with your performances?
He. One or two. One can’t make omelets without breaking eggs.
She (slowly). I don’t see the necessity
He. Hah! What do you mean?
She. Shall I speak the truth?
He Under the circumstances, perhaps it would be as well.
She. Guy, I’m afraid.
He I thought we’d settled all that. What of?
She. Of you.
He. Oh, damn it all! The old business! This is too bad!
She. Of you.
He. And what now?
She. What do you think of me?
He. Beside the question altogether. What do you intend to do?
She. I daren’t risk it. I’m afraid. If I could only cheat
He. A la Buzgago? No, thanks. That’s the one point on which I have any
notion of Honour. I won’t eat his salt and steal too. I’ll loot openly
or not at all.
She. I never meant anything else.
He. Then, why in the world do you pretend not to be willing to come?
She. It’s not pretence, Guy. I am afraid.
He. Please explain.
She. It can’t last, Guy. It can’t last. You’ll get angry, and then
you’ll swear, and then you’ll get jealous, and then you’ll mistrust me
you do now and you yourself will be the best reason for doubting. And
I what shall I do? I shall be no better than Mrs. Buzgago found out no
better than any one. And you’ll know that. Oh, Guy, can’t you see?
He I see that you are desperately unreasonable, little woman.
She. There! The moment I begin to object, you get angry. What will you
do when I am only your property stolen property? It can’t be, Guy. It
can’t be! I thought it could, but it can’t. You’ll get tired of me.
He I tell you I shall not. Won’t anything make you understand that?
She. There, can’t you see? If you speak to me like that now, you’ll call
me horrible names later, if I don’t do everything as you like. And if
you were cruel to me, Guy, where should I go? where should I go? I can’t
trust you. Oh! I can’t trust you!
He. I suppose I ought to say that I can trust you. I’ve ample reason.
She. Please don’t, dear. It hurts as much as if you hit me.
He. It isn’t exactly pleasant for me.
She. I can’t help it. I wish I were dead! I can’t trust you, and I don’t
trust myself. Oh, Guy, let it die away and be forgotten!
He. Too late now. I don’t understand you I won’t and I can’t trust
myself to talk this evening. May I call to-morrow?
She. Yes. No! Oh, give me time! The day after. I get into my ‘rickshaw
here and meet Him at Peliti’s. You ride.
He. I’ll go on to Peliti’s too. I think I want a drink. My world’s
knocked about my ears and the stars are falling. Who are those brutes
howling in the Old Library?
Public-domain text, read in full here on John Shaqi.
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