The eyes of the audience are turned toward a tent near the dancing
space. There is a low rumble from the tom-toms of the native orchestra.
The flaps of the tent are pushed aside and a young woman steps out. For
a moment she stands there, looking over the crowd as if in defiance.
Then with a graceful movement of her arms she casts aside the native
shawl in which she is wrapped.
The spectators stir in their chairs. From all sides come the “ahs” of
expectant watchers. Carl, too, is visibly affected. The “barker” was
right. The woman, whoever she was, could take a beauty prize anywhere.
The music grows louder while the dancer with fleet steps, hurries to
the middle of the arena to commence her dance.
Carl notes her costume. About her brow is bound a strand of flashing
gems. Her body is bare, covered only by a pair of violet colored breast
shields, richly embroidered with a bluebird design of beads; short
satin tights, slashed at the sides, and also of violet hue. These are
augmented by a string of pearls, hanging from her neck holding the
breast shield in place. Yet there was nothing indelicate about this
scanty costume. Carl recalled that he had seen many in France that were
shocking when compared to this. Here was beauty and harmony. It was
not the costume but the girl whose beauties it revealed that made it a
wonderful picture.
There were dangerous curves ahead, Carl mused, for those of the men
in the audience who were so inclined. The women, he felt sure, would
appear to be unaware of her beauties, but would, nevertheless, make
comparisons in their own minds.
To Carl, however, no sensual thoughts occurred. To him the girl was an
object of art. With a connoisseur’s eye for beauty he studied her from
head to foot. Her height he judged to be about five feet five inches;
her figure that of Venus de Medici. Having a good memory for figures
he recalled that the dimensions of that statue were, bust and hips,
36 and 38 inches respectively; waist, 26 inches. The dancer’s back was
long and slender, almost flat near the shoulders, but deeply curved at
the waist. Her limbs were well rounded, soft and large at the hips,
tapering down very gently toward small dimpled knees. From there they
gracefully swelled to her calves and in exquisite proportion diminished
gently to her finely rounded ankles and slender feet. Her smooth arms
were softly molded from shoulder to wrist, with dimpled elbows like a
baby’s. The small wrists with long slender hands and fingers were those
of an aristocrat. Her entire body, he noted, scarcely revealed the
existence of bone--in fact there were no sharp, thin or angular points
to be seen. Indeed a veritable Venus!
Public-domain text, read in full here on John Shaqi.
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