“But if I kept you awake, how much must all those American girls keep
you awake? Do you ever get much sleep? You know, I heard that New York
girls are quite capable of keeping men awake.”
“But, my dear,” interrupted Carl, “New York is not America; you cannot
judge America by New York.”
“Are you serious? Why, I thought New York was typical of what is
American. Does not New York set the pace for the entire country, and
does not the whole country fall in line, eager to do anything that is
approved by New York?”
“Yes, to some extent.”
“More than that. The other cities copy New York’s buildings, her modes,
her manners. Look at the flapper of Broadway and Fifth Avenue. Why all
America is copying her, with her bobbed hair, short skirts, generously
rolled down stockings, lip sticks, powder box and cigarettes.”
“I admit that, but what of it?”
“The trouble is that too many of your women are just make believe, fata
morganas. Your New York girl is an illusion--an artist and a painter.
She carries her repair shop continually with her. Peep into her hand
bag and you will find rouge, powder puff, lip stick, eye-brow pencil,
nail file, chewing gum, matches and a key.”
This Carl could not deny. He knew it was so, but, as if to himself, he
continued the topic, with “The use of cosmetics is a necessity to most
of our girls. They do not have the same complexion as have Swedish or
German girls, for instance, and they must resort to the artificial.
But it is interesting, and sometime quite amusing to observe how our
girls apply the art of make-believe. Of course, all are not experts.
One will often find that on a round face the rouge has been applied to
the center of the cheek and the hair fluffed out at the sides. It would
have been better to have rouged up and down the cheek bones with the
hair drawn closely to the head. In that way, an appearance of slimness
would have been obtained. On the other hand, one notices hollow cheeks
without rouge and a closely drawn coiffeur. Had the hollows been
rounded out with rouge and the hair fluffed out that face would have
been really attractive.
“But as a rule, they know their little game. Some of them go to the
extent of applying a touch of rouge against the inner bridge of the
nose and on the ear lobes to give the effect of transparency.
“Take the girl with the so-called pug nose. She, as a rule, experiences
great difficulty in making that nose fit in with the rest of her
face. But it could easily be done. A straight narrow line of face
powder along the nasal ridge, acting as sort of high light, would give
prominence to the nose.
“The whole matter of make-up can be compared to an artist putting a
finishing touch to a picture. If he knows his art a few deft touches of
the brush creates harmony and beauty--if he doesn’t--well, just another
daub.”
Public-domain text, read in full here on John Shaqi.
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