Under the Hill, and Other Essays in Prose and VerseBeardsley, Aubrey
General
Under the Hill, and Other Essays in Prose and Verse
Beardsley, Aubrey
Beardsley, Aubrey, 1872-1898; English literature -- 19th century
The frockless Helen and Fanfreluche, with Mrs. Marsuple and Claude
and Clair, and Farcy, the chief comedian, sat at the same table.
Fanfreluche, who had doffed his travelling suit, wore long black silk
stockings, a pair of pretty garters, a very elegant ruffled shirt,
slippers and a wonderful dressing-gown; and Farcy was in ordinary
evening clothes. As for the rest of the company, it boasted some very
noticeable dresses, and whole tables of quite delightful coiffures.
There were spotted veils that seemed to stain the skin, fans with
eye-slits in them, through which the bearers peeped and peered; fans
painted with figures and covered with the sonnets of Sporion and the
short stories of Scaramouch; and fans of big, living moths stuck upon
mounts of silver sticks. There were masks of green velvet that make
the face look trebly powdered; masks of the heads of birds, of apes,
of serpents, of dolphins, of men and women, of little embryons and of
cats; masks like the faces of gods; masks of coloured glass, and masks
of thin talc and of india-rubber. There were wigs of black and scarlet
wools, of peacocks' feathers, of gold and silver threads, of swansdown,
of the tendrils of the vine, and of human hair; huge collars of stiff
muslin rising high above the head; whole dresses of ostrich feathers
curling inwards; tunics of panthers' skins that looked beautiful over
pink tights; capotes of crimson satin trimmed with the wings of owls;
sleeves cut into the shapes of apocryphal animals; drawers flounced
down to the ankles, and flecked with tiny, red roses; stockings clocked
with fetes galantes, and curious designs; and petticoats cut like
artificial flowers. Some of the women had put on delightful little
moustaches dyed in purples and bright greens, twisted and waxed with
absolute skill; and some wore great white beards, after the manner of
Saint Wilgeforte. Then Dorat had painted extraordinary grotesques and
vignettes over their bodies, here and there. Upon a cheek, an old man
scratching his horned head; upon a forehead, an old woman teased by an
impudent amor; upon a shoulder, an amorous singerie; round a breast,
a circlet of satyrs; about a wrist, a wreath of pale, unconscious
babes; upon an elbow, a bouquet of spring flowers; across a back, some
surprising scenes of adventure; at the corners of a mouth, tiny red
spots; and upon a neck, a flight of birds, a caged parrot, a branch
of fruit, a butterfly, a spider, a drunken dwarf, or, simply, some
initials.
[Illustration: "The Fruit Bearers"]
Public-domain text, read in full here on John Shaqi.
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