Under the Hill, and Other Essays in Prose and Verse — John Shaqi
Under the Hill, and Other Essays in Prose and VerseBeardsley, Aubrey
General
Under the Hill, and Other Essays in Prose and Verse
Beardsley, Aubrey
Beardsley, Aubrey, 1872-1898; English literature -- 19th century
Fanfreluche had taken some books to bed with him. One was the witty,
extravagant, "Tuesday and Josephine," another was the score of "The
Rheingold." Making a pulpit of his knees he propped up the opera
before him and turned over the pages with a loving hand, and found
it delicious to attack Wagner's brilliant comedy with the cool head
of the morning.[4] Once more he was ravished with the beauty and
wit of the opening scene; the mystery of its prelude that seems to
come up from the very mud of the Rhine, and to be as ancient, the
abominable primitive wantonness of the music that follows the talk and
movements of the Rhine-maidens, the black, hateful sounds of Alberic's
love-making, and the flowing melody of the river of legends.
But it was the third tableau that he applauded most that morning, the
scene where Loge, like some flamboyant primeval Scapin, practises his
cunning upon Alberic. The feverish insistent ringing of the hammers at
the forge, the dry staccato restlessness of Mime, the ceaseless coming
and going of the troup of Niblungs, drawn hither and thither like a
flock of terror-stricken and infernal sheep, Alberic's savage activity
and metamorphoses, and Loge's rapid, flaming tongue-like movements,
make the tableau the least reposeful, most troubled and confusing thing
in the whole range of opera. How the Abbé rejoiced in the extravagant
monstrous poetry, the heated melodrama, and splendid agitation of it
all!
[Illustration: For the Third Tableau of "Das Rheingold"]
At eleven o'clock Fanfreluche got up and slipped off his dainty
night-dress.
His bathroom was the largest and perhaps the most beautiful apartment
in his splendid suite. The well-known engraving by Lorette that forms
the frontispiece to Millevoye's "Architecture du XVIII<sup>me</sup>
siècle" will give you a better idea than any words of mine of the
construction and decoration of the room. Only in Lorette's engraving
the bath sunk into the middle of the floor is a little too small.
Fanfreluche stood for a moment like Narcissus gazing at his reflection
in the still scented water, and then just ruffling its smooth surface
with one foot, stepped elegantly into the cool basin and swam round
it twice very gracefully. However, it is not so much at the very bath
itself as in the drying and delicious frictions that a bather finds his
chiefest joys, and Helen had appointed her most tried attendants to
wait upon Fanfreluche. He was more than satisfied with their attention,
that aroused feelings within him almost amounting to gratitude, and
when the rites were ended any touch of home-sickness he might have
felt was utterly dispelled. After he had rested a little, and sipped
his chocolate, he wandered into the dressing-room, where, under the
direction of the superb Dancourt, his toilet was completed.
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