Under the Hill, and Other Essays in Prose and Verse — John Shaqi
Under the Hill, and Other Essays in Prose and VerseBeardsley, Aubrey
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Under the Hill, and Other Essays in Prose and Verse
Beardsley, Aubrey
Beardsley, Aubrey, 1872-1898; English literature -- 19th century
"Curious and not a little frightened at the arrival of the worldly
company, the sylvans began to peep nervously at those subtle souls
through the branches of the trees, and one or two fauns and a shepherd
or so crept out warily. Sporion and all the ladies and gentlemen made
enticing sounds and invited the rustic creatures with all the grace in
the world to come and join them. By little batches they came, lured by
the strange looks, by the scents and the drugs, and by the brilliant
clothes, and some ventured quite near, timorously fingering the
delicious textures of the stuffs. Then Sporion and each of his friends
took a satyr or a shepherdess or something by the hand and made the
preliminary steps of a courtly measure, for which the most admirable
combinations had been invented and the most charming music written. The
pastoral folk were entirely bewildered when they saw such restrained
and graceful movements, and made the most grotesque and futile efforts
to imitate them. Dio mio, a pretty sight! A charming effect too, was
obtained by the intermixture of stockinged calf and hairy leg, of rich
brocaded bodice and plain blouse, of tortured head-dress and loose
untutored locks.
"When the dance was ended the servants of Sporion brought on champagne,
and with many pirouettes poured it magnificently into slender glasses,
and tripped about plying those Arcadian mouths that had never before
tasted such a royal drink.
* * * * *
"Then the curtain fell with a pudic rapidity."]
[Footnote 4: _It is a thousand pities that concerts should only be
given either in the afternoon, when you are torpid, or in the evening,
when you are nervous. Surely you should assist at fine music as you
assist at the Mass--before noon--when your brain and heart are not too
troubled and tired with the secular influences of the growing day._]
[Illustrations: THE THREE MUSICIANS]
THE THREE MUSICIANS
Along the path that skirts the wood,
The three musicians wend their way,
Pleased with their thoughts, each other's mood,
Franz Himmel's latest roundelay,
The morning's work, a new-found theme, their breakfast and
the summer day.
One's a soprano, lightly frocked
In cool, white muslin that just shows
Her brown silk stockings gaily clocked,
Plump arms and elbows tipped with rose,
And frills of petticoats and things, and outlines as the warm
wind blows.
Beside her a slim, gracious boy
Hastens to mend her tresses' fall,
And dies her favour to enjoy,
And dies for _réclame_ and recall
At Paris and St. Petersburg, Vienna and St. James's Hall.
Public-domain text, read in full here on John Shaqi.
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