How different from the manners of the robins are the manners of a pair
of catbirds that have a nest in the honeysuckle against the side of the
first-floor sleeping-porch! Nothing seems farther from the nature of the
catbird than the hue and cry which the robin at times sets up. The
catbird is sly and dislikes publicity. An appealing feline _mew_ is her
characteristic note. She never raises her voice like the town-crier, as
the robin does, perched in the mean time where all eyes may behold him.
The catbird peers and utters her soft protest from her hiding-place in
the bushes. This particular pair of catbirds appeared in early May and
began slyly to look over the situation in the vines and bushes about the
house. All their proceedings were very stealthy; they were like two dark
shadows gliding about, avoiding observation--no tree-tops or house-tops
for them, but coverts close to the ground. We hoped they would divine
safety in the shadow of the cottage, but tried to act as if oblivious of
their goings and comings. We saw them now and then stealthily inspecting
the tangle of honeysuckle on the east side of the veranda, where a robin
last season reared a brood, and the low hedge of barberry-bushes on the
south side of the cottage, where a song sparrow had her nest. If they
come, which will they take, we wondered. Several times in the early
morning I heard the male singing vivaciously and confidently in the
thick of the honeysuckle. I guessed that the honeysuckle was the choice
of the male, and that his song was a pæan in praise of it, addressed to
his mate. But it was nearly a week before his musical argument prevailed
and the site was apparently agreed upon.
Public-domain text, read in full here on John Shaqi.
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