American fiction -- 19th century; California -- Social life and customs -- Fiction; San Francisco (Calif.) -- Fiction; Short stories
of more expensive lumber; and the adjacent warehouse where the trunks of
the early and forgotten “forty-niners” were stored, and--never claimed
by their dead or missing owners--were finally sold at auction. I
remember the strong breath of the sea over all, and the constant onset
of the trade winds which helped to disinfect the deposit of dirt and
grime, decay and wreckage, which were stirred up in the later evolutions
of the city.
Or I recall, with the same sense of youthful satisfaction and unabated
wonder, my wanderings through the Spanish Quarter, where three centuries
of quaint customs, speech, and dress were still preserved; where the
proverbs of Sancho Panza were still spoken in the language of Cervantes,
and the high-flown illusions of the La Manchian knight still a part
of the Spanish Californian hidalgo's dream. I recall the more modern
“Greaser,” or Mexican--his index finger steeped in cigarette stains;
his velvet jacket and his crimson sash; the many-flounced skirt and lace
manta of his women, and their caressing intonations--the one musical
utterance of the whole hard-voiced city. I suppose I had a boy's
digestion and bluntness of taste in those days, for the combined odor of
tobacco, burned paper, and garlic, which marked that melodious breath,
did not affect me.
Perhaps from my Puritan training I experienced a more fearful joy in the
gambling saloons. They were the largest and most comfortable, even as
they were the most expensively decorated rooms in San Francisco. Here
again the gravity and decorum which I have already alluded to were
present at that earlier period--though perhaps from concentration of
another kind. People staked and lost their last dollar with a calm
solemnity and a resignation that was almost Christian. The oaths,
exclamations, and feverish interruptions which often characterized more
dignified assemblies were absent here. There was no room for the lesser
vices; there was little or no drunkenness; the gaudily dressed and
painted women who presided over the wheels of fortune or performed on
the harp and piano attracted no attention from those ascetic players.
The man who had won ten thousand dollars and the man who had lost
everything rose from the table with equal silence and imperturbability.
I never witnessed any tragic sequel to those losses; I never heard of
any suicide on account of them. Neither can I recall any quarrel or
murder directly attributable to this kind of gambling. It must be
remembered that these public games were chiefly rouge et noir, monte,
faro, or roulette, in which the antagonist was Fate, Chance, Method, or
the impersonal “bank,” which was supposed to represent them all; there
was no individual opposition or rivalry; nobody challenged the decision
of the “croupier,” or dealer.
Public-domain text, read in full here on John Shaqi.
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