“You ain't got no sabe about kids,” said Daddy imperturbably; “they've got to be humored like sick folks. And they want everythin' big--they don't take no stock in things ez they are--even ef they hev 'em worse than they are. 'So,'” continued Daddy, reading to prevent further interruption, “'he says you're just to keep your eyes skinned lookin' out for him comin' home any time--day or night. All you've got to do is to sit up and wait. He might come and even snake you out of your beds! He might come with four white horses and a nigger driver, or he might come disguised as an ornary tramp. Only you've got to be keen on watchin'.' (Ye see,” interrupted Daddy explanatorily, “that'll jest keep them kids lively.) 'He says Cissy's to stop cryin' right off, and if Willie Walker hits yer on the right cheek you just slug out with your left fist, 'cordin' to Scripter.' Gosh,” ejaculated Daddy, stopping suddenly and gazing anxiously at Houston, “there's that blamed photograph--I clean forgot that.” “And Dick hasn't got one in the shop, and never had,” returned Houston emphatically. “Golly! that stumps us! Unless,” he added, with diabolical thoughtfulness, “we take Bob's? The kids don't remember Dick's face, and Bob's about the same age. And it's a regular star picture--you bet! Bob had it taken in Sacramento--in all his war paint. See!” He indicated a photograph pinned against the wall--a really striking likeness which did full justice to Bob's long silken mustache and large, brown determined eyes. “I'll snake it off while they ain't lookin', and you jam it in the letter. Bob won't miss it, and we can fix it up with Dick after he's well, and send another.” Daddy silently grasped the “infant's” hand, who presently secured the photograph without attracting attention from the card-players. It was promptly inclosed in the letter, addressed to Master James Lasham. The “infant” started with it to the post-office, and Daddy Folsom returned to Lasham's cabin to relieve the watcher that had been detached from Falloner's to take his place beside the sick man. Meanwhile the rain fell steadily and the shadows crept higher and higher up the mountain. Towards midnight the star points faded out one by one over Sawyer's Ledge even as they had come, with the difference that the illumination of Falloner's cabin was extinguished first, while the dim light of Lasham's increased in number. Later, two stars seemed to shoot from the centre of the ledge, trailing along the descent, until they were lost in the obscurity of the slope--the lights of the stage-coach to Sacramento carrying the mail and Robert Falloner. They met and passed two fainter lights toiling up the road--the buggy lights of the doctor, hastily summoned from Carterville to the bedside of the dying Dick Lasham.