United States -- Social life and customs -- 19th century -- Fiction
"Well, it wasn't as bad as _that!_" returned Clytie. "It was only dull
and stale and stupid; the same old sort of knockabouts and serio-comics
you can see everywhere down town, only not a quarter so good--just cheap
imitations. And all those poor fellows sat moping over their beer-mugs
waiting, waiting, waiting for something new and entertaining to happen. I
never felt so sorry for anybody in my life. We girls about made up our
minds that we would get together a little fund and see if we couldn't do
some missionary work in that neighbourhood--hire some real good
artists"--Abner winced at this hideous perversion of the word--"hire some
real good artists to go over there and let those poor creatures see what
a first-class show was like; and Mr. Whyland promised to contribute----"
"Stop!" said Abner.
Clytie paused abruptly, astonished by his tone and by the expression on
his face. The flush of innocent enthusiasm and high resolve left her
cheek, her pretty little lips parted in amaze, and her wide blue eyes
opened wider than ever. What a singular man! What a way of accepting her
expression of interest in her kind, of receiving her plan for helping the
other half to lead a happier life! Adrian Bond, a dozen, a hundred other
men would have known how to give her credit for her kindly intentions
toward the less fortunate, would have found a ready way to praise her, to
compliment her....
Abner Joyce had a great respect for woman in general, but he entertained
an utter detestation of anything like gallantry; in his chaste anxiety he
leaned the other way. He was brusque; he often rode roughshod over
feminine sensibilities. He was very slightly influenced by considerations
of sex. He viewed everybody asexually, as a generalized human being. He
dealt with women just as he dealt with men, and he treated young women
just as he treated older ones. He treated Clytie just as he treated
Eudoxia Pence, just as he would have treated Whyland himself--but with a
little added severity, called forth by her peculiar presence and her
specific offence. He brought her to book just as she deserved to be
brought to book--a girl who went to low theatres and wore frizzled yellow
hair and made eyes at strangers and took her share in the heartless
amusements of plutocrats.
"Why, what is it?" asked Clytie. "Don't you think we ought to try to
understand modern social conditions and do what we can to improve them?
If you would only go through some of those streets in the river wards and
into some of the houses--oh, dear me, dear me!"
But Abner would none of this. "Do you think your river wards, as you call
them, are any worse than our barn-yard in the early days of March? Do you
imagine your cheap vawdyville theatres are any more tiresome than our
Main Street through the winter months?"
Public-domain text, read in full here on John Shaqi.
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