United States -- Social life and customs -- 19th century -- Fiction
"A fortnight or more," purred Abner complacently, under this show of
interest. "I guess I can open the eyes of those Easterners to a thing or
two."
Medora dropped her glance thoughtfully to the floor. An exchange of
instruction seemed impending, and she could only hope that the East might
prove a more considerate tutor to Abner than Abner threatened to be to
the East.
XVII
The two long winding lines of gaily attired young people joined forces
and the procession came marching down the hall by fours, by eights, by
sixteens, and Abner sat against the wall next to Edith Whyland and
watched the shifting spectacle with a sort of fearful joy. Eudoxia Pence,
seated against the opposite wall, glanced across at him, when occasion
once offered, and nodded and smiled, as if to say, "Isn't it lovely!
Isn't it fascinating!" and Abner, in sudden alarm, recomposed his
tell-tale face and frowningly responded with a grave bow.
Abner wore his double-breasted frock-coat and his white lawn tie; and
Edith Whyland, who had come in a plain dark reception costume to stand in
a row near the door with the wives of the professors at the Art Academy,
now sat with him and brought him as far into drawing as might be with the
abounding masculine figures in evening dress. Many of these appeared in
the march itself, along with the sailors, the Indian chiefs and the young
blades out of Perugino. Giles passed by as a Florentine noble of the late
Quattrocento, in a black silk robe that muffled his slight indifference
to a function familiar from many repetitions. Little O'Grady wore his
plaster-flecked blue blouse over his shabby brown suit and hardily
announced himself as Phidias. Medora walked with a languid grace as a
Druid priestess, and Miss Wilbur, the miniaturist, showed forth as Madame
Le Brun, without whose presence no fancy-dress ball could be regarded as
complete.
High above the marching host rose dozens of the tall conical head-dresses
of mediaeval France with their dependent veils. A great Parisian painter
had just been exhibiting some mural decorations in the galleries of the
Academy, and half the girls, from the life class down, wore
candle-extinguishers on their heads and trailed full robes of startlingly
figured chintz--a material that was expected to effect to the charitable
eye and the friendly imagination the richness of brocade. Many of the
younger men too had succumbed to the same influence and appeared in long
skin-tight hose and bobby little doublets edged with fur.
"How can they? How can they?" wondered Abner.
The music abruptly changed its tempo and the march broke up into a waltz.
Through the swirling dancers a single figure, clad in violet and green,
zigzagged across to Eudoxia Pence and bowed over her for a word or two.
Eudoxia moved her lips and spread out her plump hands deprecatingly and
shook her head with a smile.
"I should hope she _wouldn't_," thought Abner;--"not with a little squirt
like that."
Public-domain text, read in full here on John Shaqi.
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